Age: 74
male
John Stephen Goodman (born June 20, 1952) is an American actor. He rose to prominence in television before becoming an acclaimed and popular film actor. Goodman has received numerous accolades, including a Primetime Emmy Award, a Golden Globe Award, and a Screen Actors Guild Award. Vanity Fair has called Goodman "among our very finest actors." Goodman is known for his collaborations with the Coen brothers, acting in films such as Raising Arizona (1987), Barton Fink (1991), The Big Lebowski (1998), O Brother, Where Art Thou? (2000), and Inside Llewyn Davis (2013). He took on leading roles in King Ralph (1991), The Babe (1992), Matinee (1993), The Flintstones (1994), and 10 Cloverfield Lane (2016). Goodman also had supporting roles in Revenge of the Nerds (1984), True Stories (1986), Sea of Love (1989), Bringing Out the Dead (1999), Storytelling (2001), Speed Racer (2008), The Artist (2011), Flight (2012), Argo (2012), The Hangover Part III (2013), and Atomic Blonde (2017). He has voiced roles in The Emperor's New Groove franchise (2000–2008), the Monsters, Inc. franchise (2001–present), The Jungle Book 2 (2003), and Bee Movie (2007). On television, Goodman gained recognition by playing the family patriarch Dan Conner in the comedy series Roseanne (1988–1997; 2018) and The Conners (2018–present). Goodman had regular roles in the HBO drama series Treme (2010–2011), the legal drama series Damages (2011), the political comedy series Alpha House (2013–2014), and the HBO comedy series The Righteous Gemstones (2019–present). He has been a frequent host of Saturday Night Live (1989–2013) and has guest starred in The West Wing (2003–2004), Studio 60 on the Sunset Strip (2006), and Community (2011–2012). Goodman started his career at The Public Theatre, acting in numerous productions, including Henry IV, Part 1 (1981), The Skin of Our Teeth (1998), and The Seagull (2001). He made his Broadway debut in Big River (1985), for which Goodman received a Drama Desk Award for Outstanding Featured Actor in a Musical nomination. He returned to Broadway in revivals of the Samuel Becket play Waiting for Godot (2009) and the newspaper comedy The Front Page (2016). Goodman debuted his West End in a revival of David Mamet's American Buffalo (2015).
An elderly man reads the book "The Princess Bride" to his sick and thus currently bedridden adolescent grandson, the reading of the book which has been passed down within the family for generations. The grandson is sure he won't like the story, with a romance at its core, he preferring something with lots of action and "no kissing". But the grandson is powerless to stop his grandfather, whose feelings he doesn't want to hurt. The story centers on Buttercup, a former farm girl who has been chosen as the princess bride to Prince Humperdinck of Florian. Buttercup does not love him, she who still laments the death of her one true love, Westley, five years ago. Westley was a hired hand on the farm, his stock answer of "as you wish" to any request she made of him which she came to understand was his way of saying that he loved her. But Westley went away to sea, only to be killed by the Dread Pirate Roberts. On a horse ride to clear her mind of her upcoming predicament of marriage, Buttercup is kidnapped by a band of bandits: Vizzini who works on his wits, and his two associates, a giant named Fezzik who works on his brawn, and a Spaniard named Inigo Montoya, who has trained himself his entire life to be an expert swordsman. They in turn are chased by the Dread Pirate Roberts himself. But chasing them all is the Prince, and his men led by Count Tyrone Rugen. What happens to these collectives is dependent partly on Buttercup, who does not want to marry the Prince, and may see other options as lesser evils, and partly on the other motives of individuals within the groups. But a larger question is what the grandson will think of the story as it proceeds and at its end, especially as he sees justice as high a priority as action.
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