Age: 41
female
Keira Christina Knightley (born 26 March 1985) is an English actress. She has starred in both independent films and big-budget blockbusters and is particularly noted for her roles in period dramas. Her accolades include two Empire Awards and nominations for two Academy Awards, three British Academy Film Awards, three Golden Globe Awards, one Screen Actors Guild Award and one Laurence Olivier Award. Knightley was appointed an OBE in the 2018 Birthday Honours for services to drama and charity. Born in London to actors Will Knightley and Sharman Macdonald, Knightley obtained an agent at age six and initially worked commercials and television films. She appeared as Sabé, Padmé Amidala's handmaiden, in the science fiction blockbuster Star Wars: Episode I – The Phantom Menace (1999). Knightley had a break-through role portraying a tomboy footballer in the sports film Bend It Like Beckham (2002). She achieved global stardom with her portrayal of Elizabeth Swann in the fantasy swashbuckler series Pirates of the Caribbean. In the same year, she appeared in the Christmas romantic comedy Love Actually (2003) and was labelled a promising teen star. For her portrayal of Elizabeth Bennet in the period romance Pride & Prejudice (2005), Knightley was nominated for the Academy Award for Best Actress. At age 20, she became the third-youngest Best Actress nominee at the time. Knightley starred in a series of further period pieces, portraying a complex love interest in Atonement (2007), tastemaker Georgiana Cavendish in The Duchess (2008), and the titular socialite in Anna Karenina (2012). She then forayed into contemporary dramas, appearing as an aspiring musician in Begin Again (2013) and a medical student in Jack Ryan: Shadow Recruit (2014). Knightley returned to historical films by playing cryptoanalyst Joan Clarke in The Imitation Game (2014), earning her a second round of Academy Award and BAFTA nominations, and starred as the eponymous belle époque writer in Colette (2018) to critical acclaim. On stage, Knightley has appeared in two West End productions: The Misanthrope in 2009, which earned her an Olivier Award nomination, and The Children's Hour in 2011. She also starred as the eponymous heroine in the 2015 Broadway production of Thérèse Raquin. Knightley is known for her outspoken stance on social issues, and has worked extensively with Amnesty International, Oxfam, and Comic Relief. She is married to musician James Righton, with whom she has two daughters.
An elderly man reads the book "The Princess Bride" to his sick and thus currently bedridden adolescent grandson, the reading of the book which has been passed down within the family for generations. The grandson is sure he won't like the story, with a romance at its core, he preferring something with lots of action and "no kissing". But the grandson is powerless to stop his grandfather, whose feelings he doesn't want to hurt. The story centers on Buttercup, a former farm girl who has been chosen as the princess bride to Prince Humperdinck of Florian. Buttercup does not love him, she who still laments the death of her one true love, Westley, five years ago. Westley was a hired hand on the farm, his stock answer of "as you wish" to any request she made of him which she came to understand was his way of saying that he loved her. But Westley went away to sea, only to be killed by the Dread Pirate Roberts. On a horse ride to clear her mind of her upcoming predicament of marriage, Buttercup is kidnapped by a band of bandits: Vizzini who works on his wits, and his two associates, a giant named Fezzik who works on his brawn, and a Spaniard named Inigo Montoya, who has trained himself his entire life to be an expert swordsman. They in turn are chased by the Dread Pirate Roberts himself. But chasing them all is the Prince, and his men led by Count Tyrone Rugen. What happens to these collectives is dependent partly on Buttercup, who does not want to marry the Prince, and may see other options as lesser evils, and partly on the other motives of individuals within the groups. But a larger question is what the grandson will think of the story as it proceeds and at its end, especially as he sees justice as high a priority as action.
