Died at 85
male
Timothy Julian Brooke-Taylor OBE (17 July 1940 – 12 April 2020) was an English actor and comedian best known as a member of The Goodies. He became active in performing in comedy sketches while at the University of Cambridge and became president of the Footlights, touring internationally with its revue in 1964. Becoming more widely known to the public for his work on BBC Radio with I'm Sorry, I'll Read That Again, he moved into television with At Last the 1948 Show, working together with old Cambridge friends John Cleese and Graham Chapman. With Graeme Garden and Bill Oddie, he starred in The Goodies (1970–1982), picking up international recognition in Australia, Canada and New Zealand. He appeared as an actor in various sitcoms and was a panellist on BBC Radio's I'm Sorry I Haven't a Clue for almost 50 years. From Wikipedia, the free encyclopedia
Tim Brooke-Taylor
Max Bennett
for Max Bennett in The play that goes wrong (1972)
Suggested by isaacfilms
The fictitious Cornley Polytechnic Drama Society (Cornley University in the American version), fresh from such hits as The Lion and The Wardrobe, Cat, and James and the Peach (or James, Where's your Peach?), has received a substantial bequest and is putting on a performance of The Murder at Haversham Manor – a 1920s murder mystery play, similar to The Mousetrap, which has the right number of parts for the members. The script was written by the fictitious Susie H. K. Brideswell. During the performance, a play within a play, a plethora of disasters befall the cast, including doors sticking, props falling from the walls, and floors collapsing. Cast members are seen misplacing props, forgetting lines (in one scene, an actor repeats an earlier line of dialogue and causes the dialogue sequence triggered by that line to be repeated, ever more frenetically, several times), missing cues, breaking character, having to drink white spirit instead of whisky, mispronouncing words, stepping on fingers, being hidden in a grandfather clock, and being manhandled off stage, with one cast member being knocked unconscious and her replacement (and the group technician) refusing to yield when she returns. The climax is a tribute to a scene in Buster Keaton's film Steamboat Bill, Jr. (1928), when virtually the whole of the remaining set collapses.
