Died at 91
male
Dudley Stuart John Moore CBE (19 April 1935 – 27 March 2002) was an English actor, comedian, musician and composer. Moore first came to prominence in the UK as a leading figure in the British satire boom of the 1960s. He was one of the four writer-performers in the comedy revue Beyond the Fringe from 1960 that created a boom in satiric comedy. With a member of that team, Peter Cook, Moore collaborated on the BBC television series Not Only... But Also. As a popular double act, Moore's buffoonery contrasted with Cook's deadpan monologues. They jointly received the 1966 British Academy Television Award for Best Entertainment Performance and worked together on other projects until the mid-1970s, by which time Moore had settled in Los Angeles to concentrate on his film acting. Moore's career as a comedy film actor was marked by hit films, particularly Bedazzled (1967), set in Swinging Sixties London (in which he co-starred with Cook) and Hollywood productions Foul Play (1978), 10 (1979) and Arthur (1981). For Arthur, Moore was nominated for the Academy Award for Best Actor and won a Golden Globe Award. He received a second Golden Globe for his performance in Micki & Maude (1984). Moore was awarded a star on the Hollywood Walk of Fame in 1987 and was made a CBE by Queen Elizabeth II at Buckingham Palace on 16 November 2001 in what was his last public appearance.
Dudley Moore
Dennis Tyde
for Dennis Tyde in The play that goes wrong (1972)
Suggested by isaacfilms
The fictitious Cornley Polytechnic Drama Society (Cornley University in the American version), fresh from such hits as The Lion and The Wardrobe, Cat, and James and the Peach (or James, Where's your Peach?), has received a substantial bequest and is putting on a performance of The Murder at Haversham Manor – a 1920s murder mystery play, similar to The Mousetrap, which has the right number of parts for the members. The script was written by the fictitious Susie H. K. Brideswell. During the performance, a play within a play, a plethora of disasters befall the cast, including doors sticking, props falling from the walls, and floors collapsing. Cast members are seen misplacing props, forgetting lines (in one scene, an actor repeats an earlier line of dialogue and causes the dialogue sequence triggered by that line to be repeated, ever more frenetically, several times), missing cues, breaking character, having to drink white spirit instead of whisky, mispronouncing words, stepping on fingers, being hidden in a grandfather clock, and being manhandled off stage, with one cast member being knocked unconscious and her replacement (and the group technician) refusing to yield when she returns. The climax is a tribute to a scene in Buster Keaton's film Steamboat Bill, Jr. (1928), when virtually the whole of the remaining set collapses.
