Age: 86
male
John Marwood Cleese (born 27 October 1939) is an English actor, comedian, writer and film producer. He achieved success at the Edinburgh Festival Fringe, and as a scriptwriter and performer on The Frost Report. In the late 1960s he became a member of Monty Python, the comedy troupe responsible for the sketch show Monty Python's Flying Circus and the four Monty Python films: And Now for Something Completely Different, Holy Grail, Life of Brian and The Meaning of Life. In the mid 1970s, Cleese and his first wife Connie Booth, co-wrote and starred in the British sitcom Fawlty Towers. Later, he co-starred with Kevin Kline, Jamie Lee Curtis and former Python colleague Michael Palin in A Fish Called Wanda and Fierce Creatures. He also starred in Clockwise, and has appeared in many other films, including two James Bond films, two Harry Potter films, and three Shrek films. With Yes Minister writer Antony Jay he co-founded the production company Video Arts, responsible for making entertaining training films. Description above from the Wikipedia article John Cleese, licensed under CC-BY-SA, full list of contributors on Wikipedia
John Cleese
Chris Bean
for Chris Bean in The play that goes wrong (1972)
Suggested by isaacfilms
The fictitious Cornley Polytechnic Drama Society (Cornley University in the American version), fresh from such hits as The Lion and The Wardrobe, Cat, and James and the Peach (or James, Where's your Peach?), has received a substantial bequest and is putting on a performance of The Murder at Haversham Manor – a 1920s murder mystery play, similar to The Mousetrap, which has the right number of parts for the members. The script was written by the fictitious Susie H. K. Brideswell. During the performance, a play within a play, a plethora of disasters befall the cast, including doors sticking, props falling from the walls, and floors collapsing. Cast members are seen misplacing props, forgetting lines (in one scene, an actor repeats an earlier line of dialogue and causes the dialogue sequence triggered by that line to be repeated, ever more frenetically, several times), missing cues, breaking character, having to drink white spirit instead of whisky, mispronouncing words, stepping on fingers, being hidden in a grandfather clock, and being manhandled off stage, with one cast member being knocked unconscious and her replacement (and the group technician) refusing to yield when she returns. The climax is a tribute to a scene in Buster Keaton's film Steamboat Bill, Jr. (1928), when virtually the whole of the remaining set collapses.
