
Age: 38
male
Jesse Plemons (/ˈplɛmənz/; born April 2, 1988) is an American actor. He began his career as a child actor and achieved a breakthrough with his role as Landry Clarke in the NBC drama series Friday Night Lights (2006–2011). He subsequently portrayed Todd Alquist in season 5 of the AMC crime drama series Breaking Bad(2012–2013) and its sequel film El Camino: A Breaking Bad Movie (2019). He received his first Primetime Emmy Award nomination for his role as Ed Blumquist in season 2 of the FX anthology series Fargo (2015). He won a Critics' Choice Television Award. He received a second Emmy nomination for his performance in "USS Callister", an episode of the anthology series Black Mirror (2017). Plemons has acted in supporting roles in films such as The Master (2012), Bridge of Spies (2015), Game Night (2018), The Irishman (2019), Judas and the Black Messiah (2021) and Killers of the Flower Moon (2023). He starred in Other People (2016) and I'm Thinking of Ending Things (2020). For playing a rancher in The Power of the Dog (2021), he was nominated for the Academy Award for Best Supporting Actor, and for playing three roles in the anthology film Kinds of Kindness (2024), he won the Cannes Film Festival Award for Best Actor. Description above from the Wikipedia article Jesse Plemons, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Jesse Plemons

Detective. Theodore Ariel
for Detective. Theodore Ariel in The Pillowman
Suggested by miniver

In a bleak interrogation room, a writer named Katurian is pulled into a nightmare he never imagined. Known for his disturbing short stories—tales filled with violence, damaged childhoods, and unsettling imagination—he now finds himself questioned by the police when a series of child murders eerily resemble scenes from his fiction. As the hours pass, two contrasting officers, Tupolski and Ariel, press him for answers. Their methods clash, their tempers shift, and every story Katurian has ever written suddenly becomes potential evidence. The pressure intensifies when they reveal that his vulnerable brother, Michal, may be connected to the crimes in ways Katurian never expected. Reality and imagination start to blur. Katurian’s own stories echo hauntingly through the investigation, forcing him to confront what it means to create dark art in a world already full of darkness. Is a writer responsible for the shadows he puts on the page? Do stories shape people, or do people shape stories? And how much pain must an artist endure to tell the truth? As the night spirals deeper, Katurian and Michal face choices that cut to the bone—choices about loyalty, creation, guilt, and the cost of telling stories that refuse to be silenced. A tense psychological drama wrapped inside a writer’s worst fears, The Pillowman explores the fragile line between fiction and reality… and the dangerous places where they collide.
