Age: 40
female
Emerald Lilly Fennell (born 1 October 1985) is an English actress, filmmaker, and writer. She has received numerous accolades, including an Academy Award, two BAFTA Awards, and nominations for three Primetime Emmy Awards and three Golden Globe Awards. Fennell first gained attention for her roles in period films, such as Albert Nobbs (2011), Anna Karenina (2012), and The Danish Girl (2015). She gained prominence for her starring role in the BBC One drama series Call the Midwife (2013–2017) and for her portrayal of Camilla Parker-Bowles in the Netflix drama series The Crown (2019–2020), the latter of which garnered her a Primetime Emmy Award nomination. As a writer-director, Fennell is known as the showrunner for season two of the BBC spy thriller series Killing Eve (2019), which earned her two Primetime Emmy Award nominations. She made her feature film directorial debut with the thriller Promising Young Woman (2020), for which she won the Academy Award for Best Original Screenplay and received nominations for Best Picture and Best Director. Fennell also wrote the book for Andrew Lloyd Webber's musical Cinderella (2021) and directed her second film, the psychological thriller Saltburn (2023). Description above from the Wikipedia article Emerald Fennell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Emerald Fennell
Director
for Director in The Picture of Dorian Gray
Suggested by nickienicks
In a high-fashion, neon-drenched 1890s London, young Dorian Gray (Noah Jupe) arrives as a blank canvas of staggering beauty. When the obsessive artist Basil Hallward (Bill Skarsgård) captures Dorian’s likeness in a transformative masterwork, the portrait becomes more than art - it becomes a vessel. Influence comes in the form of Lord Henry Wotton (Robert Pattinson), a decadently cynical aristocrat who seduces Dorian with a poisonous philosophy: that the only things worth living for are youth, pleasure, and the senses. Terrified by the inevitable rot of time, Dorian utters a fateful wish: he would give his soul if the painting would age while he remains forever young. The bargain is struck. As Dorian descends into a world of secret opium dens, broken hearts, and casual cruelty, his face remains an angelic mask of innocence. However, behind a locked door, the hidden canvas begins to change. With every sin, the painted figure twists, bloating with the physical manifestations of Dorian’s moral decay. The tragedy begins with Sibyl Vane (Ariana Greenblatt), a young actress whose genuine love is discarded by Dorian as "unartistic," leading to a spiral of vengeance from her brother James (Pedro Sol Victorino). As decades pass, Dorian becomes a phantom of the London night, leaving a trail of ruined lives like Adrian Singleton (Aidan Gallagher) and the blackmailed chemist Alan Campbell (Alex Wolff). Directed by Emerald Fennell, this remake is a visceral exploration of the male gaze, narcissism, and the high price of aesthetic perfection. While London’s elite whispers about Dorian’s "miraculous" youth, the portrait becomes a grotesque record of a soul beyond saving. The film culminates in a final, bloody confrontation between the man and the masterpiece, proving that while art is immortal, the conscience is a debt that eventually demands payment in full.
