Age: 65
male
Richard Linklater (/ˈlɪŋkleɪtər/; born July 30, 1960) is an American filmmaker. He is known for making films that deal thematically with suburban culture and the effects of the passage of time. In 2015, Linklater was included on the annual Time 100 list of the most influential people in the world. His films include the comedies Slacker (1990) and Dazed and Confused (1993); the Before trilogy of romance films: Before Sunrise (1995), Before Sunset (2004), and Before Midnight (2013); the music-themed comedy School of Rock (2003); the adult animated films Waking Life (2001), A Scanner Darkly (2006), and Apollo 10½: A Space Age Childhood (2022); the coming-of-age drama Boyhood (2014); the comedy film Everybody Wants Some!! (2016); and the romantic comedy Hit Man (2023). Many of Linklater's films are noted for their loosely structured narratives. The Before trilogy and Boyhood both feature the same actors filmed over an extended period of years. He has received five Academy Award nominations and won the Silver Bear for Best Director for Before Sunrise. He also won a Golden Globe Award for directing Boyhood. Description above from the Wikipedia article Richard Linklater, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Richard Linklater
Director
for Director in The Peacock and the Pen: The Flannery O’Connor Story
Suggested by kamsismith
In The Peacock and the Pen, we invite audiences into the life of one of America’s most enigmatic literary voices, Flannery O’Connor—a woman who blended grace and darkness with unmatched Southern Gothic flair. The story is set against the backdrop of the American South in the 1950s and follows O’Connor from her early days as a fiercely intelligent girl in Georgia, through her rise as a sharp-witted but misunderstood writer, to the final years she spent writing in her family's farmhouse while battling debilitating lupus. This is not just the story of an author but a woman whose uncompromising vision collided with the complexities of race, religion, and human frailty in the Deep South. As O’Connor confronts her disease, she finds both a painful kinship and a redemptive purpose through her characters, bringing to life a gallery of unforgettable figures that reveal humanity’s deepest contradictions. The Peacock and the Pen is part intimate character study, part meditation on the creative spirit. We see her iconic moments: her fascination with peacocks (a recurring symbol in her work and her life), her uncomfortable but loving relationship with her mother, and her connection to the Catholic faith that both fueled and constrained her. Through flashbacks, dream sequences, and moments of raw confrontation, we delve into her mind, experiencing her fascination with the grotesque and her fierce, dry wit.
