Age: 65
male
Sir Simon Russell Beale CBE (born January 12, 1961) is an English actor. He is known for his appearances in film, television and theatre, and work on radio, on audiobooks and as a narrator. For his services to drama, he was knighted by Queen Elizabeth II at Buckingham Palace in 2019. He has spent much of his theatre career working in productions for both the Royal Shakespeare Company and National Theatre. He has received ten Laurence Olivier Award nominations, winning three awards for his performances in Volpone (1996), Candide (2000), and Uncle Vanya (2003). For his work on the Broadway stage he has received a Tony Award for Best Actor in a Play nomination for his performance as George in the Tom Stoppard play Jumpers in 2004. For his role as Henry Lehman in The Lehman Trilogy, he won the Tony Award for Best Actor in a Play and was nominated for an Olivier Award. Beale has been described by The Independent as "the greatest stage actor of his generation". Beale made his film debut in Sally Potter's period drama Orlando (1992). He continued acting in films such as Persuasion (1995), Hamlet (1996), My Week with Marilyn (2011), The Deep Blue Sea (2011), Into the Woods (2014), and Mary Queen of Scots (2018). In 2017, he starred in Armando Iannucci's dark comedy The Death of Stalin playing Lavrentiy Beria for which he received the British Independent Film Award for Best Supporting Actor. He has also appeared in the television projects The Young Visiters (2003), Dunkirk (2004), and as Falstaff in the BBC made-for-television films Henry IV, Part I and Part II (2012). He was part of the main cast of Showtime's Penny Dreadful.
Anna Green thought she was marrying Liam “West” Weston for access to subsidized family housing while at UCLA. She also thought she’d signed divorce papers when the graduation caps were tossed, and they both went on their merry ways. Three years later, Anna is a starving artist living paycheck to paycheck while West is a Stanford professor. He may be one of four heirs to the Weston Foods conglomerate, but he has little interest in working for the heartless corporation his family built from the ground up. He is interested, however, in his one-hundred-million-dollar inheritance. There’s just one catch. Due to an antiquated clause in his grandfather’s will, Liam won’t see a penny until he’s been happily married for five years. Just when Liam thinks he’s in the home stretch, pressure mounts from his family to see this mysterious spouse, and he has no choice but to turn to the one person he’s afraid to introduce to his one-percenter parents—his unpolished, not-so-ex-wife. But in the presence of his family, Liam’s fears quickly shift from whether the feisty, foul-mouthed, paint-splattered Anna can play the part to whether the toxic world of wealth will corrupt someone as pure of heart as his surprisingly grounded and loyal wife. Liam will have to ask himself if the price tag on his flimsy cover story is worth losing true love that sprouted from a lie.
