
Age: 35
male
Jack O'Connell (born 1 August 1990) is an English actor. He first gained recognition for playing James Cook in the British television series Skins (2009–2010, 2013). He is also known for his roles in This Is England (2006), the slasher film Eden Lake (2008), the television dramas Dive (2010) and United (2011), and the Netflix Wild West miniseries Godless (2017), for which he received a Critics' Choice Television Award nomination. O'Connell gave critically acclaimed performances in the independent films Starred Up (2013) and '71 (2014), garnering nominations for the British Independent Film Awards. He subsequently starred as war hero Louis Zamperini in the war film Unbroken (2014) and received the BAFTA Rising Star Award. He has since starred in the thriller Money Monster (2016), the biographical drama Trial by Fire (2018), the BBC miniseries The North Water (2021), the BBC series SAS: Rogue Heroes (2022–2025), the Amy Winehouse biographical film Back to Black (2024) and the period horror film Sinners (2025). Description above from the Wikipedia article Jack O'Connell, licensed under CC-BY-SA, is a full list of contributors on Wikipedia.

It is a perfect July morning, and Elle, a fifty-year-old happily married mother of three, awakens at “The Paper Palace”—the family summer place which she has visited every summer of her life. But this morning is different: last night Elle and her oldest friend Jonas crept out the back door into the darkness and had sex with each other for the first time, all while their spouses chatted away inside. Now, over the next twenty-four hours, Elle will have to decide between the life she has made with her genuinely beloved husband, Peter, and the life she always imagined she would have had with her childhood love, Jonas, if a tragic event hadn’t forever changed the course of their lives. As Heller colors in the experiences that have led Elle to this day, we arrive at her ultimate decision with all its complexity. Tender yet devastating, The Paper Palace considers the tensions between desire and dignity, the legacies of abuse, and the crimes and misdemeanors of families.


