Age: 80
female
Candice Patricia Bergen (born May 9, 1946) is an American actress and former fashion model. She won five Primetime Emmy Awards and two Golden Globe Awards for her portrayal of the title character on the CBS sitcom Murphy Brown (1988–1998, 2018-2019). She is also known for her role as Shirley Schmidt on the ABC drama Boston Legal (2005–2008). In films, Bergen was nominated for the Academy Award for Best Supporting Actress for Starting Over (1979), and for the BAFTA Award for Best Actress in a Supporting Role for Gandhi (1982). Bergen began her career as a fashion model and appeared on the cover of Vogue before she made her screen debut in the film The Group (1966). She starred in The Sand Pebbles (1966), Soldier Blue (1970), Carnal Knowledge (1971), and The Wind and the Lion (1975). She made her Broadway debut in the 1984 play Hurlyburly and starred in the revivals of The Best Man (2012) and Love Letters (2014). From 2002 to 2004, she appeared in three episodes of the HBO series Sex and the City. Her other film roles include Miss Congeniality (2000), Sweet Home Alabama (2002), The Women (2008), Bride Wars (2009), Book Club (2018) and Let Them All Talk (2020).
It is a perfect July morning, and Elle, a fifty-year-old happily married mother of three, awakens at “The Paper Palace”—the family summer place which she has visited every summer of her life. But this morning is different: last night Elle and her oldest friend Jonas crept out the back door into the darkness and had sex with each other for the first time, all while their spouses chatted away inside. Now, over the next twenty-four hours, Elle will have to decide between the life she has made with her genuinely beloved husband, Peter, and the life she always imagined she would have had with her childhood love, Jonas, if a tragic event hadn’t forever changed the course of their lives. As Heller colors in the experiences that have led Elle to this day, we arrive at her ultimate decision with all its complexity. Tender yet devastating, The Paper Palace considers the tensions between desire and dignity, the legacies of abuse, and the crimes and misdemeanors of families.
