Age: 35
female
Emma Rose Roberts (born February 10, 1991) is an American actress, singer and producer. Known for her performances spanning multiple film and television genres, her work in the horror and thriller genres has established her as a scream queen. Roberts has received various accolades, including a Young Artist Award, an MTV Movie & TV Award, and a ShoWest Award. After making her acting debut in the crime film Blow (2001), Roberts gained recognition for her lead role as Addie Singer on the Nickelodeon television teen sitcom Unfabulous (2004–2007). She released her debut soundtrack album, Unfabulous and More, for the series in 2005. She went on to appear in numerous films including Aquamarine (2006), Nancy Drew (2007), Wild Child (2008), Hotel for Dogs (2009), Valentine's Day (2010), It's Kind of a Funny Story (2010), and The Art of Getting By (2011). Looking for more mature roles, Roberts had starring roles in the films Lymelife (2008), 4.3.2.1. (2010), Scream 4 (2011), Adult World (2013), We're the Millers (2013), and Gia Coppola's Palo Alto (2013). She has since appeared in The Blackcoat's Daughter (2015), Nerve (2016), Who We Are Now (2017), Paradise Hills (2019), Holidate (2020), and the Marvel superhero film Madame Web (2024). She gained further recognition for her starring roles in multiple seasons of the FX anthology horror series American Horror Story (2013–present) and for the lead role of Chanel Oberlin on the Fox comedy horror series Scream Queens (2015–2016). She is also the co-founder of the book club Belletrist. Description above from the Wikipedia article Emma Roberts, licensed under CC-BY-SA, full list of contributors on Wikipedia.
It is a perfect August morning, and Elle, a fifty-year-old happily married mother of three, awakens at “The Paper Palace”—the family summer place which she has visited every summer of her life. But this morning is different: last night Elle and her oldest friend Jonas crept out the back door into the darkness and had sex with each other for the first time, all while their spouses chatted away inside. Now, over the next twenty-four hours, Elle will have to decide between the life she has made with her genuinely beloved husband, Peter, and the life she always imagined she would have had with her childhood love, Jonas, if a tragic event hadn’t forever changed the course of their lives. As Heller colors in the experiences that have led Elle to this day, we arrive at her ultimate decision with all its complexity. Tender yet devastating, The Paper Palace considers the tensions between desire and dignity, the legacies of abuse, and the crimes and misdemeanors of families.
