Age: 37
female
Emily Jean "Emma" Stone (born November 6, 1988) is an American actress and producer. She has won two Academy Awards, two BAFTA Awards, and two Golden Globe Awards. Her career began at Phoenix's Valley Youth Theatre with The Wind in the Willows (2000) and at fifteen, she moved to Los Angeles, debuting in an unsold television pilot, In Search of the New Partridge Family (2004). Stone gained recognition through teen comedies like Superbad (2007), Zombieland (2009), and Easy A (2010), her first starring role, earning a Golden Globe nomination for the latter. Her roles in Crazy, Stupid, Love (2011) and The Help (2011) highlighted her versatility, while The Amazing Spider-Man (2012) and its 2014 sequel elevated her global profile. Stone earned her first Oscar nomination for Birdman (2014), and won Best Actress for La La Land (2016) and Poor Things (2023); she has also earned nominations for The Favourite (2018) and Bugonia (2025). She starred in Battle of the Sexes (2017), Cruella (2021), and Maniac (2018). In 2020, she co-founded Fruit Tree, producing films Problemista (2023) and I Saw the TV Glow (2024). Stone's collaboration with Yorgos Lanthimos, inspired by her admiration for his films like The Lobster (2015) and Dogtooth (2009), spans The Favourite, Poor Things, and Kinds of Kindness (2024), and Bugonia. This partnership, driven by her trust in his vision, reflects her deliberate shift toward experimental cinema over mainstream Hollywood projects.
Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything. As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.
