Age: 36
male
Aaron Perry Taylor-Johnson (né Johnson; born 13 June 1990) is a British actor. His accolades include a Golden Globe Award, in addition to nominations for two British Academy Film Awards and a British Independent Film Award. As a child actor, Taylor-Johnson performed in films including Shanghai Knights (2003), The Illusionist (2006), and Angus, Thongs and Perfect Snogging (2008). He had his breakthrough performance as John Lennon in the biopic Nowhere Boy (2009), directed by Sam Taylor-Wood, whom he married in 2012, adding her surname. He gained recognition for his portrayal of the title character in Kick-Ass (2010) and its sequel, Kick-Ass 2 (2013), as well as for performances in the crime thriller Savages (2012), the period drama Anna Karenina (2012), and the monster film Godzilla (2014). Taylor-Johnson next portrayed the Marvel Cinematic Universe character Pietro Maximoff in Avengers: Age of Ultron (2015). For playing a psychopathic drifter in the thriller film Nocturnal Animals (2016), he won the Golden Globe Award for Best Supporting Actor. He has since appeared in the action films Tenet (2020), Bullet Train (2022) and The Fall Guy (2024), as well as starring roles in the horror films Nosferatu (2024) and 28 Years Later (2025). Description above from the Wikipedia article Aaron Taylor-Johnson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Aaron Taylor-Johnson
Peter Ward
for Peter Ward in The Only One Left
Suggested by user_238696
At seventeen, Lenora Hope Hung her sister with a rope Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. Stabbed her father with a knife Took her mother’s happy life It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything. “It wasn’t me,” Lenora said But she’s the only one not dead As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.
