Died at 95
male
Robert Selden Duvall (January 5, 1931 – February 15, 2026) was an American actor and filmmaker. He is the recipient of an Academy Award, four Golden Globe Awards, a BAFTA Award, two Primetime Emmy Awards and a Screen Actors Guild Award. Duvall began appearing in theater in the late 1950s, moving into television and film roles during the early 1960s, playing Boo Radley in To Kill a Mockingbird (1962) and appearing in Captain Newman, M.D. (1963), as Major Frank Burns in the blockbuster comedy M*A*S*H (1970) and the lead role in THX 1138 (1971), as well as Horton Foote's adaptation of William Faulkner's Tomorrow (1972), which was developed at The Actors Studio and is his personal favorite. This was followed by a series of critically lauded performances in commercially successful films. He has starred in numerous films and television series, including The Twilight Zone (1963), Bullitt (1968), True Grit (1969), The Godfather (1972), The Godfather Part II (1974), The Conversation (1974), Network (1976), Apocalypse Now (1979), Tender Mercies (1983) (which earned him the Academy Award for Best Actor), The Natural (1984), The Handmaid's Tale (1990), Days of Thunder (1990), Falling Down (1993), Secondhand Lions (2003), The Judge (2014), and Widows (2018). His final role was in The Pale Blue Eye (2022).
At seventeen, Lenora Hope Hung her sister with a rope Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. Stabbed her father with a knife Took her mother’s happy life It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything. “It wasn’t me,” Lenora said But she’s the only one not dead As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.
