Age: 63
female
From Wikipedia, the free encyclopedia Beatrice "Beatie" Edney (born 23 October 1962) is an English television actress. Born in London, she is the daughter of actress Sylvia Syms, and sister of Benjamin Edney and a cousin of musician Nick Webb. Edney first came to audiences' attention as Heather MacLeod in the 1986 film Highlander, the first film in the Highlander series. She returned to the role again in the 2000 film Highlander: Endgame. In 1987 Edney performed the title role in the TV production of 'The Dark Angel' with Peter O'Toole. In 1990, she appeared in the Bruce Beresford directed film Mister Johnson alongside Pierce Brosnan and Edward Woodward. Her many television appearances include a leading role in the TV series Lost Empires, based on the novel by J.B. Priestley, with Colin Firth in 1986. She has also appeared in episodes of Rosemary & Thyme, A Touch of Frost, Prime Suspect, Inspector Morse, Lewis (TV series), Agatha Christie's Poirot adaptation of The Mysterious Affair at Styles and Wallander (2009). In 1994, she played the role of Louisa Gradgrind in the television adaptation of Charles Dickens' novel Hard Times. In 1995, she had a starring role in the Channel 4 sitcom Dressing For Breakfast. In 2012 she played Queen Charlotte in The Madness of King George III, in a revival at the Apollo Theatre.
Beatie Edney
Kathleen McDeere
for Kathleen McDeere in The Only One Left
Suggested by larissabnacif
At seventeen, Lenora Hope Hung her sister with a rope Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. Stabbed her father with a knife Took her mother’s happy life It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything. “It wasn’t me,” Lenora said But she’s the only one not dead As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.
