Age: 27
female
Mimi Roshan Saeed (born 5 August 1998), better known as Mimi Keene, is an English actress. She is known for her roles as Cindy Williams on the BBC soap opera EastEnders (2013–2015), Ruby Matthews on the Netflix comedy-drama series Sex Education (2019–2023), and Nathalie in the film After Everything (2023). Keene began her career as a child actress on stage, making her professional debut playing Janey in Kin at The Royal Court Theatre from 19 November to 23 December 2010. In 2013, she appeared in CBBC's Sadie J as Brandy May Lou and in Our Girl as Jade Dawes. Between 2013 and 2015, she was a series regular in EastEnders, playing Cindy Williams. For her role, she earned British Soap Award and Inside Soap Award nominations. She voiced Euryale, Stheno, and Medusa in the 2013 video game Castlevania: Lords of Shadow – Mirror of Fate and its 2014 sequel Castlevania: Lords of Shadow 2. In 2016, she appeared in an episode of Casualty as Lana Westmore, and played Megan in a short film, The Escape, in 2017. In 2019, she portrayed the younger version of Edith Tolkien in Tolkien, also in 2019 she began playing Ruby Matthews in the Netflix series Sex Education, and appeared in the film Close. In 2023, Keene appeared in the film After Everything. Description above from the Wikipedia article Mimi Keene, licensed under CC-BY-SA, full list of contributors on Wikipedia.
At seventeen, Lenora Hope Hung her sister with a rope Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. Stabbed her father with a knife Took her mother’s happy life It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything. “It wasn’t me,” Lenora said But she’s the only one not dead As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.
