
Age: 48
male
Milo Anthony Ventimiglia (born July 8, 1977) is an American actor. Making his screen acting debut on The Fresh Prince of Bel-Air in 1995, he portrayed the lead role on the short-lived series Opposite in 2000 before landing his breakthrough role the following year as Jess Mariano on Gilmore Girls (2001–2007). Thereafter, he appeared as Chris Pierce on American Dreams (2004–2005) and Richard Thorne on The Bedford Diaries (2006) before starring as Peter Petrelli on Heroes (2006–2010), for which he received nominations for Teen Choice, Saturn and People's Choice Awards. After appearing in main roles on the series Mob City (2013), Chosen (2013), and The Whispers (2015), Ventimiglia began starring as Jack Pearson on This Is Us (2016–2022), for which he has received three nominations for the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series and twice received the Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Drama Series as a cast member. In film, Ventimiglia made his breakthrough as Rocky Balboa's son in the sixth installment of the Rocky film series, Rocky Balboa (2006), going on to reprise the role in the eighth installment Creed II (2018). He has also appeared in Pathology (2008), That's My Boy (2012), Kiss of the Damned (2013), Grace of Monaco (2014), Devil's Gate (2017), and The Art of Racing in the Rain (2019).

At seventeen, Lenora Hope Hung her sister with a rope Now reduced to a schoolyard chant, the Hope family murders shocked the Maine coast one bloody night in 1929. While most people assume seventeen-year-old Lenora was responsible, the police were never able to prove it. Other than her denial after the killings, she has never spoken publicly about that night, nor has she set foot outside Hope’s End, the cliffside mansion where the massacre occurred. Stabbed her father with a knife Took her mother’s happy life It’s now 1983, and home-health aide Kit McDeere arrives at a decaying Hope’s End to care for Lenora after her previous nurse fled in the middle of the night. In her seventies and confined to a wheelchair, Lenora was rendered mute by a series of strokes and can only communicate with Kit by tapping out sentences on an old typewriter. One night, Lenora uses it to make a tantalizing offer—I want to tell you everything. “It wasn’t me,” Lenora said But she’s the only one not dead As Kit helps Lenora write about the events leading to the Hope family massacre, it becomes clear there’s more to the tale than people know. But when new details about her predecessor’s departure come to light, Kit starts to suspect Lenora might not be telling the complete truth—and that the seemingly harmless woman in her care could be far more dangerous than she first thought.






