Age: 79
female
Jacqueline Ruth Weaver AO (born 25 May 1947) is an Australian theatre, film, and television actress. Her accolades include five AACTA Awards(including the Longford Lyell Award), a National Board of Review Award, and nominations for two Academy Awards and a Golden Globe Award. Weaver emerged in the 1970s during the Australian New Wave through her work in Ozploitation films such as Stork (1971), Alvin Purple (1973), and Petersen (1974). She later starred in Picnic at Hanging Rock (1975), Caddie (1976), Squizzy Taylor (1982), and several television films and miniseries. She also starred in Australian productions of plays such as Death of a Salesman and A Streetcar Named Desire. Weaver received international attention and nominations for the Academy Award for Best Supporting Actress for her performances in the crime film Animal Kingdom (2010) and the comedy-drama film Silver Linings Playbook (2012), the former of which also earned her the National Board of Review Award. This attention led her to receive roles in further Hollywood projects, including the films The Five-Year Engagement (2012), Parkland (2013), Magic in the Moonlight (2014), The Disaster Artist (2017), Bird Box, Widows (both 2018), Poms (2019), Stage Mother (2020), and Father Stu (2022). On television, Weaver starred in the Starz comedy series Blunt Talk (2015–2016), the Fox Showcasepolitical thriller Secret City (2016–2019), the Epix thriller Perpetual Grace, LTD (2019), and the Stanscience fiction series Bloom (2019–2020). Since 2021, she has played a recurring role as Caroline Warner in the Paramount Network neo-Western series Yellowstone. Description above from the Wikipedia article Jacki Weaver, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jacki Weaver
Mama Mags
for Mama Mags in The Once and Future Witches
Suggested by tarablanton
In 1893, there's no such thing as witches. There used to be, in the wild, dark days before the burnings began, but now witching is nothing but tidy charms and nursery rhymes. If the modern woman wants any measure of power, she must find it at the ballot box. But when the Eastwood sisters--James Juniper, Agnes Amaranth, and Beatrice Belladonna--join the suffragists of New Salem, they begin to pursue the forgotten words and ways that might turn the women's movement into the witch's movement. Stalked by shadows and sickness, hunted by forces who will not suffer a witch to vote-and perhaps not even to live-the sisters will need to delve into the oldest magics, draw new alliances, and heal the bond between them if they want to survive. There's no such thing as witches. But there will be.
