Age: 61
male
John Ottman (born July 6, 1964) is an American film composer, director, and editor. He is best known for collaborating with director Bryan Singer, composing and/or editing many of his films, including Public Access (1993), The Usual Suspects (1995), Superman Returns (2006), Valkyrie (2008), and Jack the Giant Slayer (2013), as well as the X-Men film series. For his work on Singer's 2018 Queen biopic Bohemian Rhapsody, Ottman won the Academy Award for Best Film Editing. Ottman was born in San Diego, California. Growing up in San Jose, Ottman made many amateur films garnering local attention in the community. He attended De Anza College and then transferred to the School of Cinematic Arts of the University of Southern California, where he graduated in 1988. One of his first assignments was to provide original music for the computer game I Have No Mouth, and I Must Scream. In 2007, Ottman appeared in the documentary Finding Kraftland for his agent Richard Kraft. He is best known for his multitasking as editor and composer for Bryan Singer's films and, on a few occasions, producer roles to boot. The Usual Suspects, Apt Pupil, X2, Superman Returns (including adapting themes originally composed by John Williams), Valkyrie, Jack the Giant Slayer, X-Men: Days of Future Past, and X-Men: Apocalypse. Other notable films he worked on as a composer are Snow White: A Tale of Terror, the 2005 remake of House of Wax, Kiss Kiss Bang Bang, Fantastic Four and its sequel Fantastic Four: Rise of the Silver Surfer, The Invasion, and Astro Boy. He also directed (in addition to editing and scoring) the 2000 horror film Urban Legends: Final Cut. He won a BAFTA Award for Best Editing for The Usual Suspects, as well as two Saturn Awards for Best Music for The Usual Suspects and Superman Returns. In 2019, he was nominated for a BAFTA Award for Best Editing and won the ACE Eddie Award and the Academy Award for his work on Bohemian Rhapsody, a film Ottman saw through on his own after both directors' departure (Bryan Singer being fired and Dexter Fletcher beginning pre-production on "Rocketman" shortly after finishing the shoot). Ottman navigated the film's development in post and the tricky waters between the filmmaker and studio, working with producer Graham King and Dennis O'Sullivan. Upon Bohemian Rhapsody getting nominated for and winning its Best Editing awards, a scene of the band outside a pub went viral online after a post by Youtuber Thomas Flight, who was critical of the editing style. Ottman, aware of the clip, explained that for a test screening, a heightened pace for the first act was asked for by the studio. After the test, Ottman returned the scene to its original pace and design. Ottman regretted that he missed returning the scene outside the pub closer to his original version. The scene (directed by Fletcher) contained no master shot of the band at the table. Description above from the Wikipedia article John Ottman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Set in the late 1970s, several years after the events of the first film, "The Nice Guys 2" follows private detectives Holland March (played by Ryan Gosling) and Jackson Healy (played by Russell Crowe) as they team up once again to solve a new case. This time, the case involves a string of robberies and kidnappings that are linked to a powerful organized crime syndicate. As March and Healy investigate, they discover that the syndicate is involved in a wide range of criminal activities, including drug trafficking, money laundering, and political corruption. To make matters worse, the detectives soon find themselves on the run from the syndicate's ruthless enforcers, who will stop at nothing to keep their secrets safe. Along the way, March and Healy team up with a new ally, a tough-as-nails police detective named Karen (played by a new actress), who has her own reasons for taking down the syndicate. As they navigate the dangerous underworld of 1970s Los Angeles, March, Healy, and Karen must use all of their wit, charm, and fighting skills to stay alive and bring the syndicate to justice.
