Age: 48
male
John Marcus "Scoot" McNairy (born November 11, 1977) is an American actor and film producer. He is known for his roles in films such as Monsters (2010), Argo, Killing Them Softly (both 2012), Batman v Superman: Dawn of Justice (2016), Speak No Evil, and Nightbitch (both 2024). On television, McNairy starred as Gordon Clark in the AMC period drama Halt and Catch Fire (2014–2017), Bill McNue in the Netflix miniseries Godless(2017), Walt Breslin on Netflix's Narcos: Mexico (2018–2021), Tom Purcell on the third season of True Detective (2019), and Rod Rosenstein in the Showtime miniseries The Comey Rule (2020). His accolades include an Independent Spirit Award and a Screen Actors Guild Award. Description above from the Wikipedia article Scoot McNairy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A searing and strikingly intimate debut set in the wake of the 2008 financial crisis, about a newly married lesbian couple who move into a flipped foreclosure, unaware that the former homeowners are still living in the attic. Months after the housing bubble bursts, newlywed Chicagoans Emma and Rachel move into a charming little house in a conservative Indiana college town, hoping for a fresh start after a painful miscarriage. As Rachel immerses herself in her new role as a tenure-track professor and bestselling novelist, adjunct Emma struggles in the shadow of her wife’s success. Desperate to build something of her own, Emma secretly pursues IVF, even as Rachel insists they wait to have children. The house, initially a symbol of new beginnings, becomes a refuge for Emma from the town she’s convinced is set against her—until strange occurrences make her question whether she and her wife are truly alone. They aren’t. Charlotte and Dirk, the former homeowners, are secretly living in the attic above Emma and Rachel’s attached garage. Dispossessed by the recession and anxious about her husband’s declining health, Charlotte listens to the interlopers below, and her resentment steadily grows. What starts as small acts of defiance—missing food, flipped breakers in the fuse box, subtle scratches in the furniture—soon becomes sabotage. But when her campaign to drive out the couple goes too far, Charlotte’s and Emma’s stories converge in an explosive climax that will reveal the lengths people will go to reclaim what they’ve lost.
