Age: 36
female
Kristen Jaymes Stewart (born April 9, 1990) is an American actress and filmmaker. The world's highest-paid actress in 2012, she has received various accolades, including a British Academy Film Award and a César Award, in addition to nominations for an Academy Award and a Golden Globe Award. Born and raised in Los Angeles, Stewart first gained notice at age 12 for her role as the daughter of Jodie Foster's character in David Fincher's thriller Panic Room (2002), which earned her a Young Artist Award nomination. She subsequently starred in Speak (2004), Catch That Kid (2004), Zathura: A Space Adventure (2005), and Into the Wild (2007). She went on to achieve global stardom for her role as Bella Swan in The Twilight Saga film series (2008–2012), which ranks among the highest-grossing film franchises; for the role, she was awarded the BAFTA Rising Star Award in 2010. After starring in the fantasy film Snow White and the Huntsman (2012), Stewart eschewed roles in big-budget films in favor of independent productions in the years following. She took on roles in the dramas Camp X-Ray (2014) and Still Alice (2014), and the science fiction romance Equals (2016). In 2015, she garnered critical acclaim for her performance in Olivier Assayas' drama film Clouds of Sils Maria, which won her the César Award for Best Supporting Actress. Stewart reunited with Assayas the following year in the supernatural thriller Personal Shopper (2016) and made her directorial debut with the short film Come Swim (2017). She returned to mainstream Hollywood with leading roles in the action film Charlie's Angels (2019) and the romantic comedy film Happiest Season (2020). Stewart's portrayal of Diana, Princess of Wales in Pablo Larraín's biographical drama Spencer (2021) earned her widespread critical acclaim and a nomination for the Academy Award for Best Actress.
A searing and strikingly intimate debut set in the wake of the 2008 financial crisis, about a newly married lesbian couple who move into a flipped foreclosure, unaware that the former homeowners are still living in the attic. Months after the housing bubble bursts, newlywed Chicagoans Emma and Rachel move into a charming little house in a conservative Indiana college town, hoping for a fresh start after a painful miscarriage. As Rachel immerses herself in her new role as a tenure-track professor and bestselling novelist, adjunct Emma struggles in the shadow of her wife’s success. Desperate to build something of her own, Emma secretly pursues IVF, even as Rachel insists they wait to have children. The house, initially a symbol of new beginnings, becomes a refuge for Emma from the town she’s convinced is set against her—until strange occurrences make her question whether she and her wife are truly alone. They aren’t. Charlotte and Dirk, the former homeowners, are secretly living in the attic above Emma and Rachel’s attached garage. Dispossessed by the recession and anxious about her husband’s declining health, Charlotte listens to the interlopers below, and her resentment steadily grows. What starts as small acts of defiance—missing food, flipped breakers in the fuse box, subtle scratches in the furniture—soon becomes sabotage. But when her campaign to drive out the couple goes too far, Charlotte’s and Emma’s stories converge in an explosive climax that will reveal the lengths people will go to reclaim what they’ve lost.
