
Age: 55
female
Born in The Bronx, New York, Buono was raised in a blue-collar family and decided at an early age to make acting her life's ambition. At 11, she showed her connection to her family's work ethic by answering a casting call ad for Harvey Fierstein's "Spookhouse" and landing the role, without any assistance from her family or other adults. Buono began landing roles on television and the New York stage while in her teens and early twenties, and earned a Daytime Emmy nomination as a young victim of sexual abuse in Abby, My Love (1991) (CBS, 1991), which aired as part of the CBS Schoolbreak Special (1984). She soon graduated to minor roles in Stephen Gyllenhaal's Waterland (1992), with Jeremy Irons and Ethan Hawke; as an illegal immigrant in The Cowboy Way (1994), with Woody Harrelson and Kiefer Sutherland; and in Noah Baumbach's much-loved indie comedy, Kicking and Screaming (1995), which reunited her with her "Abby, My Love" co-star, Josh Hamilton. While cultivating her acting career, Buono also graduated from Columbia University with a double major in English and political science in 1995, which she earned in just three years. After graduation, Buono concentrated largely on character roles in independent films and on television. She was the wife and confidante of prison guard Robert Sean Leonard, who served as an earpiece for monstrous 1930s criminal Carl Panzram (James Woods) in Killer: A Journal of Murder (1995), before playing an accident-prone opera singer in love with a young man (Gibson Frazier) with Jazz-Era affectations in the offbeat Man of the Century (1999). She soon added behind-the-camera credits to her expanding resume, including writer/director on the short, Baggage (1997), with Liev Schreiber and Minnie Driver, and served as co-producer and star of the comedy, Two Ninas (1999), about a pair of similarly monikered women (Buono and Amanda Peet) who fell for a very unlucky man. She continues to write and co-wrote "When the Cat's Away" (1999), with Brad Anderson, and wrote an adaptation of F. Scott Fitzgerald's first novel, "This Side of Paradise". Buono's screen credits grew more obscure at the launch of the new millennium - art house and film festival circles saw the lesbian drama, Chutney Popcorn (1999), Attention Shoppers (2000), Happy Accidents (2000) with Marisa Tomei and Vincent D'Onofrio. She soon turned to television for wider exposure, and earned it through supporting roles on high profile series like Third Watch (1999) and The Sopranos (1999). In 2007, she joined the cast of the cult favorite, The Dead Zone (2002) (USA, 2002-2007) as Sheriff Anna Turner, who investigated the death of her predecessor (Chris Bruno). During this period, Buono maintained her screen career in features as varied as Ang Lee's Hulk (2003), playing David Banner's mother, who was killed by his genetically-induced rage, and Beer League (2006), and Artie Lange's hapless lay-about love interest. In 2010, she appeared as the divorced mother of Kodi Smit-McPhee in Let Me In (2010), the critically-praised American remake of the Swedish vampire movie, Let the Right One In (2008). That same year, she landed her most widely seen role-to-date on Mad Men (2007), playing Dr. Faye Miller. For her efforts, Buono received an Emmy Award nomination for Outstanding Guest Actress in a Drama Series in 2011.

A searing and strikingly intimate debut set in the wake of the 2008 financial crisis, about a newly married lesbian couple who move into a flipped foreclosure, unaware that the former homeowners are still living in the attic. Months after the housing bubble bursts, newlywed Chicagoans Emma and Rachel move into a charming little house in a conservative Indiana college town, hoping for a fresh start after a painful miscarriage. As Rachel immerses herself in her new role as a tenure-track professor and bestselling novelist, adjunct Emma struggles in the shadow of her wife’s success. Desperate to build something of her own, Emma secretly pursues IVF, even as Rachel insists they wait to have children. The house, initially a symbol of new beginnings, becomes a refuge for Emma from the town she’s convinced is set against her—until strange occurrences make her question whether she and her wife are truly alone. They aren’t. Charlotte and Dirk, the former homeowners, are secretly living in the attic above Emma and Rachel’s attached garage. Dispossessed by the recession and anxious about her husband’s declining health, Charlotte listens to the interlopers below, and her resentment steadily grows. What starts as small acts of defiance—missing food, flipped breakers in the fuse box, subtle scratches in the furniture—soon becomes sabotage. But when her campaign to drive out the couple goes too far, Charlotte’s and Emma’s stories converge in an explosive climax that will reveal the lengths people will go to reclaim what they’ve lost.

