Age: 27
male
Charlie Faulkner Plummer (born May 24, 1999) is an American actor. He began his career as a child actor in short films and made his feature film debut in David Chase's drama Not Fade Away (2012) before landing a lead role in King Jack (2015). In 2017, he gained wider recognition for playing John Paul Getty III in Ridley Scott's thriller All the Money in the World and a troubled teenager in Andrew Haigh's drama Lean on Pete. His performance in the latter earned him the Marcello Mastroianni Award for the best-emerging actor. On television, Plummer made his first prominent appearances on the dramas Boardwalk Empire (2011–2013) and Granite Flats (2013–2015). He has since starred in the Hulu miniseries Looking for Alaska (2019) and portrayed a young Franklin D. Roosevelt in the Showtime series The First Lady (2022). Description above from the Wikipedia article Charlie Plummer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A searing and strikingly intimate debut set in the wake of the 2008 financial crisis, about a newly married lesbian couple who move into a flipped foreclosure, unaware that the former homeowners are still living in the attic. Months after the housing bubble bursts, newlywed Chicagoans Emma and Rachel move into a charming little house in a conservative Indiana college town, hoping for a fresh start after a painful miscarriage. As Rachel immerses herself in her new role as a tenure-track professor and bestselling novelist, adjunct Emma struggles in the shadow of her wife’s success. Desperate to build something of her own, Emma secretly pursues IVF, even as Rachel insists they wait to have children. The house, initially a symbol of new beginnings, becomes a refuge for Emma from the town she’s convinced is set against her—until strange occurrences make her question whether she and her wife are truly alone. They aren’t. Charlotte and Dirk, the former homeowners, are secretly living in the attic above Emma and Rachel’s attached garage. Dispossessed by the recession and anxious about her husband’s declining health, Charlotte listens to the interlopers below, and her resentment steadily grows. What starts as small acts of defiance—missing food, flipped breakers in the fuse box, subtle scratches in the furniture—soon becomes sabotage. But when her campaign to drive out the couple goes too far, Charlotte’s and Emma’s stories converge in an explosive climax that will reveal the lengths people will go to reclaim what they’ve lost.
