Died at 56
male
Jóhann Gunnar Jóhannsson (19 September 1969 – 9 February 2018) was an Icelandic composer who wrote music for a wide array of media including theater, dance, television and films. His work is stylized by its blending of traditional orchestration with contemporary electronic elements. Jóhann released solo albums from 2002 onward. In 2016, he signed with Deutsche Grammophon, through which he released his last solo album, Orphée. Some of his works in film include the original scores for Denis Villeneuve's Prisoners, Sicario, and Arrival, and James Marsh's The Theory of Everything. Jóhannsson was nominated for an Academy Award for Best Original Score for both The Theory of Everything and Sicario, and won a Golden Globe for Best Original Score for the former. He earned a second Golden Globe nomination for Arrival. He was a music and sound consultant on Mother!, directed by Darren Aronofsky in 2017. His scores for Mary Magdalene and Mandy were released posthumously. His only directorial work, Last and First Men, premiered at the Manchester International Festival in 2017, where he also performed the score live with the BBC Philharmonic Orchestra.
Billions of years ago, a cataclysm split the planet Urgrund in two, forming the twin planets of New Genesis, a sunlit utopia, and Apokolips, an industrialized wasteland. Their populations became known as the New Gods, the immortal denizens of the cosmos who existed outside the constraints of earthly time and space. Things were far from peaceful for the New Gods of either planet, and soon they found themselves consumed by war. The ruler of New Genesis, Highfather, eventually brokered peace with the ruler of Apokolips, Darkseid, by orchestrating an exchange of their sons. Highfather's son, Scott Free, was given over to the torture pits of Apokolips, while Darkseid's son, Orion, was released to the relative luxury of New Genesis. The treaty lasted for a time, but sadly, Darkseid's lust for power was not so easily sated. He used the respite of peace to bolster his forces and begin his hunt for the mythical Anti-Life Equation, a weapon that would give him the power not only to destroy New Genesis, but to bend all life in the universe to his will. And after Scott Free escaped Apokolips alongside former Female Fury Big Barda to make a new home on Earth, there was nothing keeping Darkseid from mobilizing yet again. Apokolips and New Genesis are at war once again. This is an original show by me that takes place before my other DCCU stories.
