Died at 90
male
Donald McNichol Sutherland (July 17, 1935 – June 20, 2024) was a Canadian actor whose film career spanned over 6 decades. He was nominated for eight Golden Globe Awards, winning two for his performances in the television films Citizen X (1995) and Path to War (2002); the former also earned him a Primetime Emmy Award. An inductee of the Hollywood Walk of Fame and Canadian Walk of Fame, he also received a Canadian Academy Award for the drama film Threshold (1981). Multiple film critics and media outlets have cited him as one of the best actors never to have received an Academy Award nomination. In 2017, he received an Academy Honorary Award for his contributions to cinema. In 2021, he won the Critics' Choice Television Award for Best Supporting Actor in a Movie/Miniseries for his work in the HBO miniseries The Undoing (2020). Sutherland rose to fame after starring in films including The Dirty Dozen (1967), M*A*S*H (1970), Kelly's Heroes (1970), Klute (1971), Don't Look Now (1973), Fellini's Casanova (1976), 1900 (1976), The Eagle Has Landed (1976), Animal House (1978), Invasion of the Body Snatchers (1978), Ordinary People (1980), and Eye of the Needle (1981). He later went on to star in many other films where he appeared either in leading or supporting roles such as A Dry White Season (1989), JFK (1991), Outbreak (1995), A Time to Kill (1996), The Assignment (1997), Without Limits (1998), Big Shot's Funeral (2001), The Italian Job (2003), Cold Mountain (2003), Pride & Prejudice (2005), Aurora Borealis (2006) and The Hunger Games franchise (2012–2015). He was the father of actors Kiefer Sutherland, Rossif Sutherland, and Angus Sutherland.
Donald Sutherland
Superintendent Mossop
for Superintendent Mossop in The Museum Mysteries
Suggested by devahutiraichaliha
Jim Eldridge’s Museum (Murder) Mysteries is an historical crime-fiction series set in late-Victorian London, featuring Daniel Wilson, a former detective from the Metropolitan Police, and his partner, archaeologist Abigail Fenton. Each novel centres on a murder tied to a famous British museum or institution—such as the British Museum, the Natural History Museum, or the National Gallery—where the pair are called in as private inquiry agents to solve crimes that baffle the authorities. The series blends classic whodunnit structure with richly researched historical settings, highlighting scientific rivalries, class tensions, and the early professionalisation of museum culture. Across the series, the cases often expose the hidden politics of Victorian scholarship, including disputes over archaeological finds, forgeries, colonial acquisitions, and the ambitions of curators eager to protect their reputations. Wilson brings methodical investigative skills and quiet moral conviction, while Fenton offers academic expertise, courage, and a knack for noticing overlooked details—making them equal partners in unpicking the murders. Their developing relationship threads through the books, adding warmth and emotional continuity amid the atmosphere of intrigue.
