Age: 40
male
Shia Saide LaBeouf (born June 11, 1986) is a European-American actor, performance artist, and filmmaker. He played Louis Stevens in the Disney Channel series Even Stevens, a role for which he received Young Artist Award nominations in 2001 and 2002 and won a Daytime Emmy Award in 2003. He made his film debut in The Christmas Path (1998). In 2004, he made his directorial debut with the short film Let's Love Hate and later directed a short film titled Maniac (2011), starring American rappers Cage and Kid Cudi. In 2007, LaBeouf starred in the commercially successful films Disturbia and Surf's Up. The same year he was cast in Michael Bay's science fiction film Transformers as Sam Witwicky, the main protagonist of the series. Transformers was a box office success and one of the highest-grossing films of 2007. LaBeouf later appeared in its sequels Transformers: Revenge of the Fallen (2009) and Transformers: Dark of the Moon (2011), both also box office successes. In 2008, he played Henry "Mutt Williams" Jones III in Indiana Jones and the Kingdom of the Crystal Skull. His other credits include the films Holes (2003), Constantine (2005), Wall Street: Money Never Sleeps (2010), Lawless (2012), The Company You Keep (2012), Nymphomaniac (2013), Charlie Countryman (2013), Fury (2014), American Honey (2016), Borg vs McEnroe (2017), Honey Boy (2019), The Peanut Butter Falcon (2019), and Pieces of a Woman (2020). Since 2014, LaBeouf has pursued a variety of public performance art projects with LaBeouf, Rönkkö & Turner.
Shia LaBeouf
Alan Markham
for Alan Markham in The Museum Mysteries
Suggested by devahutiraichaliha
Jim Eldridge’s Museum (Murder) Mysteries is an historical crime-fiction series set in late-Victorian London, featuring Daniel Wilson, a former detective from the Metropolitan Police, and his partner, archaeologist Abigail Fenton. Each novel centres on a murder tied to a famous British museum or institution—such as the British Museum, the Natural History Museum, or the National Gallery—where the pair are called in as private inquiry agents to solve crimes that baffle the authorities. The series blends classic whodunnit structure with richly researched historical settings, highlighting scientific rivalries, class tensions, and the early professionalisation of museum culture. Across the series, the cases often expose the hidden politics of Victorian scholarship, including disputes over archaeological finds, forgeries, colonial acquisitions, and the ambitions of curators eager to protect their reputations. Wilson brings methodical investigative skills and quiet moral conviction, while Fenton offers academic expertise, courage, and a knack for noticing overlooked details—making them equal partners in unpicking the murders. Their developing relationship threads through the books, adding warmth and emotional continuity amid the atmosphere of intrigue.
