
Age: 35
male
Michele Morrone (Italian pronunciation: [miˈkɛːlemorˈroːne]; born 3 October 1990) is an Italian actor, model, singer, and fashion designer. He gained international recognition after portraying the role of Massimo Torricelli in the 2020 erotic thriller 365 Days and its sequels, 365 Days: This Day and The Next 365 Days in 2022. Description above from the Wikipedia Michele Morrone, article licensed under CC-BY-SA, full list of contributors on Wikipedia.

Michele Morrone

Giovanni Trotti
for Giovanni Trotti in The Medici's Daughter
Suggested by mr95

She was raised in the most powerful family in Florence. The city made her extraordinary and then refused to know what to do with her. Set in Laurentian Florence at the apex of the Italian Renaissance, The Medici's Daughter follows Caterina de' Medici — not the historical queen of France, a fictional member of the extended Medici family — 25, a Black woman raised in the Medici household as a ward and recognized member of the family's extended patronage network. She has been raised with the full intellectual formation of a Medici education: Latin, Greek, Platonic philosophy, art, music, architecture. She is the Medici in every cultural dimension. Her arranged marriage to Giovanni Trotti, a diplomat of the Sforza court in Milan, creates the series' central engine: a woman shaped by the most extraordinary cultural court in Europe navigating the politics of another powerful Italian dynasty. Two seasons follow her marriage, her intellectual life in both Florence and Milan, and her eventual role as a significant behind-the-scenes patron of the arts in her own right. S1E1 — Il Giardino dei Medici Caterina in the Medici gardens. The Platonic Academy in session. Her marriage arrangement announced by Lorenzo with genuine apology in his eyes. S1E6 — Milano Caterina in the Sforza court. Her first salon — speaking Latin, Greek, and Tuscan Italian in the same evening. Milan realizing what Florence sent them. S2E10 — Il Mecenatismo (The Patronage) Series finale: Caterina commissioning her own artistic works — under Giovanni's name, at first, and then openly under her own. The final scene is her name, in her hand, at the bottom of a contract.