Age: 55
female
Regina Rene King (born January 15, 1971) is an American actress, director and producer. She has received various accolades, including an Academy Award, a Golden Globe Award, and four Primetime Emmy Awards. In 2019, Time magazine named her one of the 100 most influential people in the world. King first gained attention for starring in the television sitcom 227 (1985–1990). Her subsequent roles included the film Friday (1995), the animated series The Boondocks (2005–2014), and the crime television series Southland (2009–2013). She received four Primetime Emmy Awards for her performances in the ABC anthology series American Crime (2015–2017), the Netflix miniseries Seven Seconds, and the HBO limited series Watchmen (2019). Her other television roles include the drama series The Leftovers (2015–2017) and the sitcom The Big Bang Theory (2013–2019). She has also played supporting roles in the drama films Boyz n the Hood (1991), Poetic Justice (1993), How Stella Got Her Groove Back (1998), and Ray (2004), as well as in the comedies Down to Earth (2001), Legally Blonde 2: Red, White & Blonde (2003), A Cinderella Story (2004), and Miss Congeniality 2: Armed & Fabulous (2005). She earned critical acclaim, as well as the Academy Award for Best Supporting Actress, for her role in If Beale Street Could Talk (2018). She then starred in the western The Harder They Fall (2021) and played the title role in the biopic Shirley (2024). King has directed episodes for several television shows, including Scandal in 2015 and 2016 and This Is Us in 2017. She has also directed the music video for the 2010 song "Finding My Way Back" by Jaheim. King's feature film directorial debut came with the drama One Night in Miami... (2020), which earned her a nomination for the Golden Globe Award for Best Director. Description above from the Wikipedia article Regina King, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The world is a simulation. To a young person living in the shadow of the Great Recession, that kind of horror resonates. Of course, some things would have to be be changed. After all, what was relevant in 1999 isn't necessarily salient in 2012! The Wachowskis, with all due respect to their fantastic Matrix films, one through four, were Generation X to the core, and with a new millennial vision, the series would be more relevant to a social media-adept youth. For one, in high contrast to the hollow optimism promised under 1990s capitalism, the early 2010s saw despair in the wake of America's once-thought-to-be secure financial institutions collapse, leaving a broken youth in its aftermath. Instead, the focus is completely shifted; for one, it's a romance now. Absurd, I know, but consider this: Neo, a lost-and-confused young college graduate, meets Trinity, who seems to know all about the wild dangerous truth of reality and accepts that things WON'T get better. Still, Neo's youthful desire to change things for the better attracts and impresses her, in this epic of two young lovers trying to liberate humanity from the Matrix.
