
Age: 63
male
David Andrew Leo Fincher (born August 28, 1962) is an American film director. His films, mostly thrillers, have received 40 nominations at the Academy Awards, including three for him as Best Director. Born in Denver, Colorado, Fincher was interested in filmmaking at an early age. He directed numerous music videos, most notably Madonna's "Express Yourself" in 1989 and "Vogue" in 1990, both of which won him the MTV Video Music Award for Best Direction. He made his feature film debut with Alien 3 (1992), which garnered mixed reviews, followed by the thriller Seven (1995), which was better received. Fincher found lukewarm success with The Game (1997) and Fight Club (1999), but the latter eventually became a cult classic. In 2002, he returned to prominence with the thriller Panic Room starring Jodie Foster. Fincher also directed Zodiac (2007), The Social Network (2010), The Girl with the Dragon Tattoo (2011), and Mank (2020). For The Social Network, he won the Golden Globe Award for Best Director and BAFTA Award for Best Direction. His biggest commercial successes are The Curious Case of Benjamin Button (2008) and Gone Girl (2014), both of which grossed more than $300 million worldwide, with the former earning thirteen nominations at the Academy Awards, and eleven at the British Academy Film Awards. He also served as an executive producer and director for the Netflix series House of Cards (2013–2018) and Mindhunter (2017–2019), winning the Primetime Emmy Award for Outstanding Directing for a Drama Series for the pilot episode of House of Cards. Fincher was the co-founder of Propaganda Films, a film, and music.

David Fincher

Director
for Director in The Masks We Wear: The Yukio Mishima Story
Suggested by kamsismith

The Masks We Wear delves into the life of Yukio Mishima, blending his literary genius with the turbulent political landscape of post-war Japan. The series captures the complexities of a man torn between tradition and modernity, art and activism, life and death. Each episode peels back the layers of Mishima’s life, portraying his rise to literary stardom, his obsession with the samurai code of honor (bushido), and his increasingly radical political views. We witness his multifaceted persona—cultivated through his writings, public appearances, and private life—mirroring the characters in his novels, who often struggle with their own identities. Mishima’s complex relationships, including those with his family, lovers, and disciples in the private militia he formed, reveal his deep yearning for both artistic perfection and heroic death. The narrative reaches a crescendo in the final days leading to November 25, 1970, when Mishima led a failed coup to restore Japan’s imperial rule and subsequently took his own life in a ritualistic seppuku.
