
Age: 60
male
Sir Samuel Alexander Mendes CBE (born 1 August 1965) is a British film and stage director, producer, and screenwriter. In 2000, Mendes was appointed a CBE for his services to drama, and he was knighted in the 2020 New Year Honours List. In 2000, Mendes was awarded the Shakespeare Prize by the Alfred Toepfer Foundation in Hamburg, Germany. In 2005, he received a lifetime achievement award from the Directors Guild of Great Britain. In 2008, The Daily Telegraph ranked him number 15 in their list of the "100 most powerful people in British culture". Born in Berkshire to a Trinidadian Catholic father and an English Jewish mother, Mendes grew up in North London. He read English at Peterhouse at Cambridge University. He began directing plays there before joining Donmar Warehouse, a centre of 1990s London theatre culture. In theatre, he is known for his dark re-inventions of the stage musicals Cabaret (1993), Oliver! (1994), Company (1995), and Gypsy (2003). For the first time, he directed an original West End stage musical with Charlie and the Chocolate Factory (2013). For his work on the London stage, Mendes has received three Laurence Olivier Awards for Company, Twelfth Night, and The Ferryman. On Broadway, he earned two Tony Awards for Best Direction of a Play for The Ferryman in 2019 and The Lehman Trilogy in 2022. In film, he made his directorial debut with the drama American Beauty (1999), which earned him the Academy Award and Golden Globe Award for Best Director. He has since directed the films Road to Perdition (2002), Jarhead (2005), Revolutionary Road (2008), and the James Bond films Skyfall (2012) and Spectre (2015). For the war film 1917 (2019), he received the BAFTA Award and Golden Globe Award for Best Director, as well as his second Academy Award nomination for Best Director, Best Picture and Best Original Screenplay. Description above from the Wikipedia article Sam Mendes, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Sam Mendes

Director
for Director in The Man of Steel (Visno DCEU Film #1)
Suggested by visno

My version of Man of Steel would similarly follow the origins of Superman, focusing mostly on how he is secretly helping the people of Metropolis, and intercut with flashbacks to his discovery of his super powers with his Earth parents, slowly revealed over the course of the film, and ultimately coming to terms with his alien origins as revealed to him by Zod. In the end of Act 1, he encounters Bloodsport and takes him into custody, setting up the first member of The Suicide Squad, which will become a recurring theme in my version of the DCEU, laying the groundwork for multiple movies at once in each film to help them feel more connected and make the audience not feel lost by the time we reach our ensemble cast films. Bruce Wayne and Lex Luthor meet at a fancy party, our first introduction to Bruce. Lex Luthor gets the arc that Bruce Wayne did in Snyder’s version, which makes much more sense for his character. Superman and Zod’s battle destroys parts of Metropolis, with Superman trying to take the fighting out of the city and Zod trying to bait him back each time by destroying it. The battle ends with the death of Zod over the ocean, and includes a mid credits scene with LexCorp exhuming his body from the sea, setting up Man of Steel 2, and this is where the audience will first encounter Aquaman.