Age: 38
female
Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ana de Armas
Frida Escobar
for Frida Escobar in The Mall of the Dead (2028)
Suggested by zhihaoliang1
Fifty years after George A. Romero’s genre-defining Dawn of the Dead, Zack Snyder returns to the mall with a brutal, high-speed nightmare. When a containment breach at the Vivere Corporation’s virology lab on the outskirts of Plumstow, Pennsylvania (Filming Location: Edmonton, Alberta, Canada), unleashes the VC-78 virus—a hyper-aggressive airborne pathogen—chaos erupts. Victims turn in seconds. The infection spreads to Canada and Mexico within 10 days, and globally within weeks. A diverse group of strangers finds themselves trapped inside Sapphire Mall (Filming Location: West Edmonton Mall), a vast megastructure of consumerism turned battleground. Over 50 harrowing days, they must outlast sprinting, shrieking hordes, endure betrayal, and battle rival biker gangs… all while praying for a military rescue. But as resources dwindle and loyalties fracture, one truth remains: in the Mall of the Dead, the dead move fast…and the living die faster.
