Age: 90
female
Dame Julia Elizabeth Andrews, DBE (born Julia Elizabeth Wells; 1 October 1935) is a British film and stage actress, singer, and author. She is the recipient of Golden Globe, Emmy, Grammy, BAFTA, People's Choice Award, Theatre World Award, Screen Actors Guild and Academy Award honours. Andrews was a former British child actress and singer who made her Broadway debut in 1954 with The Boy Friend, and rose to prominence starring in other musicals such as My Fair Lady and Camelot, and in musical films such as Mary Poppins (1964), for which she won the Academy Award for Best Actress, and The Sound of Music (1965): the roles for which she is still best-known. Her voice, which originally spanned four octaves, was damaged by a throat operation in 1997. Andrews had a revival of her film career in 2000s in family films such as The Princess Diaries (2001), its sequel The Princess Diaries 2: Royal Engagement (2004), the Shrek animated films (2004–2010), and Despicable Me (2010). In 2003 Andrews revisited her first Broadway success, this time as a stage director, with a revival of The Boy Friend at the Bay Street Theatre, Sag Harbor, New York (and later at the Goodspeed Opera House, in East Haddam, Connecticut in 2005). Andrews is also an author of children's books, and in 2008 published an autobiography, Home: A Memoir of My Early Years.
Edward Fosca is a murderer. Of this Mariana is certain. But Fosca is untouchable. A handsome and charismatic Greek Tragedy professor at Cambridge University, Fosca is adored by staff and students alike—particularly by the members of a secret society of female students known as The Maidens. Mariana Andros is a brilliant but troubled group therapist who becomes fixated on The Maidens when one member, a friend of Mariana’s niece Zoe, is found murdered in Cambridge. Mariana, who was once herself a student at the university, quickly suspects that behind the idyllic beauty of the spires and turrets, and beneath the ancient traditions, lies something sinister. And she becomes convinced that, despite his alibi, Edward Fosca is guilty of the murder. But why would the professor target one of his students? And why does he keep returning to the rites of Persephone, the maiden, and her journey to the underworld? When another body is found, Mariana’s obsession with proving Fosca’s guilt spirals out of control, threatening to destroy her credibility as well as her closest relationships. But Mariana is determined to stop this killer, even if it costs her everything—including her own life.
