Age: 45
male
Akhtar is known for the bumbling Muslim extremist Faisal in Chris Morris's film Four Lions. Other comedic performances include Gupta in The Angelos Epithemiou Show, Maroush in The Dictator and Smee in Joe Wright and Pan. Akhtar has also won acclaim for his dramatic performances: in 2015, he was nominated for a BAFTA for Best Supporting Actor for his 2014 role as Wilson Wilson on Channel 4's Utopia. He played shopkeeper Ahmed alongside Toby Jones in the BBC mini-series Capital, and DS Ira King in the BBC's River. Reviewing River in The Daily Telegraph, Michael Hogan wrote, "This series was beautifully written by Abi Morgan, stylishly directed, and most of all, superbly acted. The quieter, less showy supporting players also shone. Not just stalwarts [...] but fresher faces: Adeel Akhtar as River's endlessly patient sidekick and Georgina Rich as his psychiatrist". In 2016 Akhtar appeared as Shahzad in the BBC one-off drama Murdered by My Father. He won the 2017 BAFTA award for Lead Actor for this role, the first non-white actor to do so. He also appeared as Rob Singhal in the acclaimed BBC miniseries based on John le Carré's The Night Manager. Adeel became a patron of Half Moon Theatre in autumn 2016.
The highly anticipated second thriller from the record-breaking, international bestselling author of THE SILENT PATIENT.From the #1 New York Times bestselling author of The Silent Patient comes a spellbinding tale of psychological suspense, weaving together Greek mythology, murder, and obsession... Edward Fosca is a murderer. Of this Mariana is certain. But Fosca is untouchable. A handsome and charismatic Greek tragedy professor at Cambridge University, Fosca is adored by staff and students alike - particularly by the members of a secret society of female students known as The Maidens. Mariana Andros is a brilliant but troubled group therapist who becomes fixated on The Maidens when one member, a friend of Mariana's niece Zoe, is found murdered in Cambridge. Mariana, who was once herself a student at the university, quickly suspects that behind the idyllic beauty of the spires and turrets, and beneath the ancient traditions, lies something sinister. And she becomes convinced that, despite his alibi, Edward Fosca is guilty of the murder. But why would the professor target one of his students? And why does he keep returning to the rites of Persephone, the maiden, and her journey to the underworld? When another body is found, Mariana's obsession with proving Fosca's guilt spirals out of control, threatening to destroy her credibility as well as her closest relationships. But Mariana is determined to stop this killer, even if it costs her everything - including her own life.
