Age: 78
female
Dianne Evelyn Wiest (/wiːst/; born March 28, 1948) is an American actress. She has won two Academy Awards for Best Supporting Actress for 1986's Hannah and Her Sisters and 1994's Bullets Over Broadway (both directed by Woody Allen), one Golden Globe Award for Bullets Over Broadway, the 1997 Primetime Emmy Award for Outstanding Guest Actress in a Drama Series for Road to Avonlea, and the 2008 Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series for In Treatment. In addition, she was nominated for an Academy Award for 1989's Parenthood. Other film appearances by Wiest include Footloose (1984), Woody Allen's The Purple Rose of Cairo (1985), Radio Days (1987), and September (1987), The Lost Boys (1987), Bright Lights, Big City (1988), Edward Scissorhands (1990), Little Man Tate (1991), The Birdcage (1996), Practical Magic (1998), Dan in Real Life (2007), Synecdoche, New York (2008), Rabbit Hole (2010), The Mule (2018), Let Them All Talk (2020), and I Care a Lot (2020). She also appeared in the television series Law & Order (2000–2002) and the CBS comedy Life in Pieces(2015–2019). Description above from the Wikipedia article Dianne Wiest, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Edward Fosca is a murderer. Of this Mariana is certain. But Fosca is untouchable. A handsome and charismatic Greek tragedy professor at Cambridge University, Fosca is adored by staff and students alike—particularly by the members of a secret society of female students known as The Maidens. Mariana Andros is a brilliant but troubled group therapist who becomes fixated on The Maidens when one member, a friend of Mariana’s niece Zoe, is found murdered in Cambridge. Mariana, who was once herself a student at the university, quickly suspects that behind the idyllic beauty of the spires and turrets, and beneath the ancient traditions, lies something sinister. And she becomes convinced that, despite his alibi, Edward Fosca is guilty of the murder. But why would the professor target one of his students? And why does he keep returning to the rites of Persephone, the maiden, and her journey to the underworld? When another body is found, Mariana’s obsession with proving Fosca’s guilt spirals out of control, threatening to destroy her credibility as well as her closest relationships. But Mariana is determined to stop this killer, even if it costs her everything—including her own life.
