
Age: 36
male
Thomas Brodie-Sangster (born 16 May 1990), is an English actor. He is known for playing Sam in Love Actually (2003), Simon in Nanny McPhee (2005), Ferb in Phineas and Ferb (2007–2015), Jojen Reed in Game of Thrones (2013–2014), Newt in the Maze Runner film series (2014–2018), and Benny Watts in the Netflix miniseries The Queen's Gambit (2020), for which he was nominated for the Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or Movie. Brodie-Sangster also grew in popularity for starring in critically acclaimed cult films such as Death of a Superhero (2011), Bright Star (2009), and as Paul McCartney in Nowhere Boy (2009). He played Jake Murray in the series Accused (2010–2012). He also had a cameo as an officer of the First Order in Star Wars: The Force Awakens (2015), a role as Whitey Winn in the Netflix miniseries Godless (2017) and voiced John Tracy in Thunderbirds Are Go (2015–2020).

The Magician's Nephew is a fantasy children's novel by C. S. Lewis, published in 1955 by The Bodley Head. It is the sixth published of seven novels in The Chronicles of Narnia (1950–1956). In recent editions, which sequence the books according to Narnia history, it is volume one of the series. Like the others, it was illustrated by Pauline Baynes whose work has been retained in many later editions. The Bodley Head was a new publisher for The Chronicles, a change from Geoffrey Bles who had published the previous five novels.[1][3] The Magician's Nephew is a prequel to the series. The middle third of the novel features the creation of the Narnia world by Aslan the lion, centred on a section of a lamp-post brought by accidental observers from London in 1900. The visitors then participate in the beginning of Narnia history, 1000 years before The Lion, the Witch and the Wardrobe[a] (which inaugurated the series in 1950). The frame story, set in England, features two children ensnared in experimental travel via "the wood between the worlds". Thus, the novel shows Narnia and our middle-aged world to be only two of many in a multiverse, which changes as some worlds begin and others end. It also explains the origin of foreign elements in Narnia, not only the lamp-post but also the White Witch and a human king and queen.
