Age: 72
male
Ronald William Howard (born March 1, 1954) is an American filmmaker and actor. Howard first came to prominence as a child actor, guest-starring in several television series, including an episode of The Twilight Zone. He gained national attention for playing young Opie Taylor, the son of Sheriff Andy Taylor (played by Andy Griffith) in the sitcom The Andy Griffith Show from 1960 through 1968. During this time, he also appeared in the musical film The Music Man (1962), a critical and commercial success. He was credited as Ronny Howard in his film and television appearances from 1959 to 1973. Howard was cast in one of the lead roles in the coming-of-age film American Graffiti (1973), which received widespread acclaim and became one of the most profitable films in history. The following year, Howard became a household name for playing Richie Cunningham in the sitcom Happy Days, a role he would play from 1974 through 1984. Howard continued appearing in films during this time, such as the western film The Shootist (1976) and the comedy film Grand Theft Auto (1977), which also marked his directorial debut. In 1984, Howard left Happy Days to focus on directing, producing and occasionally writing variety films and television series. His films include the science-fiction/fantasy Cocoon (1985), the fantasy Willow (1988), the thriller Backdraft (1991), the historical docudrama Apollo 13 (1995), the Christmas comedy How the Grinch Stole Christmas (2000), the biographical drama A Beautiful Mind (2001), the biographical sports drama Cinderella Man (2005), the thriller The Da Vinci Code (2006), the historical drama Frost/Nixon (2008), Solo: A Star Wars Story (2018), and the documentary Pavarotti (2019). For A Beautiful Mind, Howard won the Academy Award for Best Director and Academy Award for Best Picture. He was nominated again for the same awards for Frost/Nixon. In 2003, Howard was awarded the National Medal of Arts. He was inducted into the Television Hall of Fame in 2013. Howard has two stars on the Hollywood Walk of Fame for his contributions in the television and motion pictures industries.
When we first meet 14-year-old Susie Salmon, she is already in heaven. This was before milk carton photos and public service announcements, she tells us; back in 1973, when Susie mysteriously disappeared, people still believed these things didn't happen. In the sweet, untroubled voice of a precocious teenage girl, Susie relates the awful events of her death, and her own adjustment to the strange new place she finds herself. (It looks a lot like her school playground, with the good kind of swingset.) With love, longing, and a growing understanding, Susie watches her family as they cope with their grief–her father embarks on a search for the killer, her sister undertakes a feat of amazing daring, her little brother builds a fort in her honor–and begin the difficult process of healing.
