Died at 96
male
John Nicholas Cassavetes (December 9, 1929 – February 3, 1989) was an American actor, film director, and screenwriter. First known as an actor on television and in film, Cassavetes also became a pioneer of American independent cinema, writing and directing movies financed in part with income from his acting work. AllMovie called him "an iconoclastic maverick," while The New Yorker suggested that he "may be the most influential American director of the last half century." As an actor, Cassavetes starred in notable Hollywood films throughout the 1950s and 1960s, including Edge of the City (1957), The Dirty Dozen (1967), and Rosemary's Baby (1968). He began his directing career with the 1959 independent feature Shadows and followed with independent productions such as Faces (1968), Husbands (1970), A Woman Under the Influence (1974), Opening Night (1977), and Love Streams (1984), in addition to intermittent studio work. Cassavetes' films employed an actor-centered approach which privileged character examination over traditional Hollywood storytelling or stylized production values. His films became associated with an improvisational, cinéma vérité aesthetic. He collaborated frequently with a rotating group of friends, crew members, and actors, including his wife Gena Rowlands, Peter Falk, Ben Gazzara, and Seymour Cassel. For his role in The Dirty Dozen, Cassavetes received a Best Supporting Actor nomination. As a filmmaker, he was nominated for Best Original Screenplay for Faces (1968) and Best Director for A Woman Under the Influence (1974).
In our actual timeline, Liverpudlian pop rock band The Beatles wanted to adapt The Lord of the Rings to film, in which Paul would play Frodo, Ringo would play Sam, George would play Gandalf, and John would play Gollum. They did not get their wish, but let's hop into a timeline where they had. For starters, more astute casting directors would place John and George into much more fitting roles. With their immense influence at the time, the budget is virtually infinite. Let's pretend that everyone can do an appropriate accent, even if they can't in real life.
