Age: 29
male
Éanna Hardwicke is an Irish actor and filmmaker. He began his career as a child actor in Conor McPherson's The Eclipse (2009). His films since include Lakelands (2022). On television, he is known for his roles in the BBC One series The Sixth Commandment and the Paramount+ series The Doll Factory (both 2023). For the former, he received a British Academy Television Award nomination. Hardwicke was named a Screen International Rising Star in the publication's inaugural Irish edition.
On the isolated Irish island of Inishmore, where silence is deceptive and every cottage hides a secret, the most feared man is Padraic—a hot-headed militant known for his explosive temper and complete lack of restraint. Even the organization he works for thinks he’s too unhinged. But Padraic has one soft spot: his beloved cat, Wee Thomas. When Padraic hears that Wee Thomas has been found in suspicious condition, he abandons his violent mission and races home. Waiting for him are Donny, his bumbling but well-meaning father, and Davey, a nervous, wide-eyed local who accidentally stumbled into the mess and is now desperately trying to avoid Padraic’s wrath. Their panicked attempts to invent a harmless explanation only raise more questions—and Inishmore is far too small a place to cover up anything, especially from someone like Padraic. Meanwhile, Mairead, a teenage sharpshooter with revolutionary dreams and a fierce temper of her own, watches everything unfold with dangerous curiosity. She’s eager for a place in the armed struggle and sees Padraic’s return as an opportunity. And in the shadows, Christy, a calculating rival operative, arrives on the island with his own agenda—one that threatens to turn a personal crisis into a violent showdown. As loyalties twist and lies pile up, the island slips into a darkly comic spiral. What begins as a mystery involving a single cat escalates into a powder-keg of mistaken assumptions, simmering revenge, and wild confrontations where the stakes keep rising—and no one has the sense to back down. In the windswept quiet of Inishmore, the line between tragedy and absurdity grows dangerously thin.
