Age: 51
male
David Kenneth Harbour (born April 10, 1975) is an American actor. He has received nominations for a Tony Award, a Golden Globe Award, and two Primetime Emmy Awards. David began his career acting in Shakespearean theatre productions. After his professional debut on Broadway in the 1999 revival of The Rainmaker, he was nominated for a Tony Award for his performance in a production of Who's Afraid of Virginia Woolf?. He made his television debut on Law & Order in 1999 and had supporting roles in films such as Brokeback Mountain (2005), Revolutionary Road (2008) and Black Mass (2015). Harbour gained global recognition for his portrayal of Jim Hopper in the Netflix science fiction series Stranger Things (2016–2025), for which he received a Critics' Choice Television Award as well as nominations for two Primetime Emmy Awards. His starring film roles include the title character in Hellboy (2019), Santa Claus in Violent Night (2022) and a former racer in the sports film Gran Turismo (2023). Harbour has played Red Guardian in the Marvel Cinematic Universe media franchise, beginning with the film Black Widow (2021). Description above from the Wikipedia article David Harbour, licensed under CC-BY-SA, full list of contributors on Wikipedia.
David Harbour
THE LIBRARY MANAGER
for THE LIBRARY MANAGER in THE LIBRARIAN
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When a strict, rule-bound library manager and soup kitchen organizer is forced to defend his branch from a violent takeover, he becomes the target of a citywide crime syndicate and unleashes a brutal revenge war from inside the one place he swore to keep quiet. Synopsis By day, he runs a neighborhood library and serves breakfast to the homeless. By design, he keeps order, protects the vulnerable, and enforces one rule above all: respect the space. But when a chaotic group storms the library and one of the attackers turns out to be tied to a major criminal organization, the incident escalates beyond a public disturbance into a threat that reaches the city’s underworld. After the syndicate greenlights him as a dangerous unknown, the violence moves from intimidation to annihilation. The library’s morning soup line is firebombed, innocent people are caught in the attack, and the manager is left shattered by what he has witnessed. With grief turning into fury, he begins hunting the gang responsible, using the library itself as a weaponized battleground. What starts as protection becomes revenge, and what began as a quiet civic space becomes the center of a relentless war.
