Age: 40
female
Dianna Elise Agron (born April 30, 1986) is an American actress and singer. After primarily dancing and starring in small musical theater productions in her youth, Agron made her screen debut in 2006, and in 2007, she played recurring character Debbie Marshall on Heroes and had her first leading role. In 2009, she took the notable role of the antagonistic but sympathetic head cheerleader Quinn Fabray on the Fox musical comedy-drama series Glee. For her role in the series, she won a SAG Award and, as part of the cast, was nominated for the Brit Award for Best International Breakthrough Act, among other accolades. After Glee proved to be a breakthrough success, Agron began working more in film, first starring in the popular young adult adaptation I Am Number Four (2011) as Sarah Hart before taking on films aimed at more diverse audiences, including the 2013 mob-comedy The Family and 2015's Bare. She has also directed several short films and music videos and, in 2017, began performing as a singer at the Café Carlyle in New York City, while continuing to star in films including Novitiate and Hollow in the Land in 2017, Shiva Baby in 2020, and As They Made Us in 2022. She directed part of the 2019 anthology feature film Berlin, I Love You, as well as acting in it. As a singer, Agron is noted for her husky lyric contralto voice.
Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she--or anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips. Now a rising star in the New York art scene, Emma turns her past into paintings--massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends. Yet it's immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp's twisted origins. As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present. And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price
