Age: 40
female
Jenna-Louise Coleman, since 2013 credited as Jenna Coleman, is an English actress. She is known for her roles as Jasmine Thomas in the ITV soap opera Emmerdale (2005–2009), Clara Oswald in the BBC science fiction series Doctor Who (2012–2015, 2017), Queen Victoria in the ITV period drama Victoria (2016–2019), Joanna Lindsay in the crime miniseries The Cry (2018), and Marie-Andrée Leclerc in the crime miniseries The Serpent (2021). She landed the part of Jasmine Thomas in Emmerdale in 2005 and, for it, she was nominated for the "Best Newcomer" award at British Soap Awards in 2007, and at the National Television Awards in 2006, she was nominated for the "Most Popular Newcomer" award. She received a nomination for the "Best Actress" award from the TV Choice Awards. In 2011, she made her feature film debut in Captain America: The First Avenger. She played Susan Brown in a BBC Four television adaptation of the John Braine novel Room at the Top in 2012. Also in 2012, she landed the part of Annie Desmond in a mini-series Titanic. She provided the voice for the character Melia in the English dub of the 2011 video game Xenoblade Chronicles. In 2012, she was cast as Rosie in Dancing on the Edge. She starred as Lydia Wickham in the adaptation of Death Comes to Pemberley (2013). She made a surprise appearance on Doctor Who in the first episode of the seventh series as Oswin Oswald, a guest character, but she debuted as a series regular in the Christmas special episode "The Snowmen" as Clara Oswin Oswald. She plays eleventh's and twelve's Doctor companion until 2015. In 2016, she starred in ITV's drama Victoria.
Two Truths and a Lie. The girls played it all the time in their tiny cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. The games ended when Emma sleepily watched the others sneak out of the cabin in the dead of night. The last she--or anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips. Now a rising star in the New York art scene, Emma turns her past into paintings--massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. The paintings catch the attention of Francesca Harris-White, the socialite and wealthy owner of Camp Nightingale. When Francesca implores her to return to the newly reopened camp as a painting instructor, Emma sees an opportunity to try to find out what really happened to her friends. Yet it's immediately clear that all is not right at Camp Nightingale. Already haunted by memories from fifteen years ago, Emma discovers a security camera pointed directly at her cabin, mounting mistrust from Francesca and, most disturbing of all, cryptic clues Vivian left behind about the camp's twisted origins. As she digs deeper, Emma finds herself sorting through lies from the past while facing threats from both man and nature in the present. And the closer she gets to the truth about Camp Nightingale, the more she realizes it may come at a deadly price
