Age: 32
female
Saoirse Una Ronan (/ˈsɜːrʃə ˈuːnə ˈroʊnən/ SUR-shə OO-nə ROH-nən; born 12 April 1994) is an American-born Irish actress. Primarily known for her work in period dramas since adolescence, she has received various accolades, including a Golden Globe Award and nominations for four Academy Awards and seven British Academy Film Awards. Ronan made her acting debut in 2003 on the Irish medical drama series The Clinic and had her breakthrough role as a precocious teenager in the period drama film Atonement (2007), which earned her a nomination for the Academy Award for Best Supporting Actress. Her career progressed with starring roles in The Lovely Bones (2009) and Hanna (2011) and a supporting role in The Grand Budapest Hotel (2014). Ronan received critical acclaim and nominations for the Academy Award for Best Actress for playing an Irish immigrant in New York in Brooklyn (2015), the eponymous high school senior in Greta Gerwig's Lady Bird (2017)—which won her a Golden Globe—and Jo March in Gerwig's Little Women (2019). Ronan has since produced and starred in the drama The Outrun (2024). On stage, Ronan portrayed Abigail Williams in the 2016 Broadway revival of The Crucible and Lady Macbeth in the 2021 West End revival of The Tragedy of Macbeth. In 2016, she was featured by Forbes in two of their 30 Under 30 lists, and in 2020, The New York Times ranked her tenth on its list of the greatest actors of the 21st century. Description above from the Wikipedia article Saoirse Ronan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Two Truths and a Lie. The girls played it all the time in their cabin at Camp Nightingale. Vivian, Natalie, Allison, and first-time camper Emma Davis, the youngest of the group. But the games ended the night Emma sleepily watched the others sneak out of the cabin into the darkness. The last she--or anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips. Now a rising star in the New York art scene, Emma turns her past into paintings--massive canvases filled with dark leaves and gnarled branches that cover ghostly shapes in white dresses. When the paintings catch the attention of Francesca Harris-White, the wealthy owner of Camp Nightingale, she implores Emma to return to the newly reopened camp as a painting instructor. Seeing an opportunity to find out what really happened to her friends all those years ago, Emma agrees.
