
Age: 58
male
Denis Villeneuve (born October 3, 1967) is a Canadian filmmaker. He has received seven Canadian Screen Awards as well as nominations for three Academy Awards, five BAFTA Awards, and two Golden Globe Awards. Villeneuve's films have grossed more than $1.8 billion worldwide. Villeneuve began his career in his home country, directing four French-language dramas: August 32nd on Earth (1998); Maelström (2000); Polytechnique (2009), a dramatisation of the 1989 École Polytechnique massacre; and Incendies (2010). The last of these gained him international prominence and earned a nomination for the Academy Award for Best International Feature Film. He expanded to English-language films by directing the thrillers Prisoners (2013), Enemy (2013), and Sicario (2015). Villeneuve gained wider recognition for directing science fiction films. His work on Arrival (2016) earned him a nomination for the Academy Award for Best Director. This was followed by Blade Runner 2049 (2017), which was critically lauded but financially unsuccessful. His next projects were Dune (2021) and Dune: Part Two (2024), a two-part adaptation of Frank Herbert's novel of the same name. Both films were critically and commercially successful, with the former earning him Academy Award nominations for Best Adapted Screenplay and Best Picture.

The Kingkiller Chronicle is a fantasy series by Patrick Rothfuss, telling the autobiography of Kvothe, an adventurer and famous musician. The first two books, The Name of the Wind and The Wise Man's Fear, were released in 2007 and 2011, respectively. A third is planned to fill out a trilogy, but a release date has not been announced. The plot is divided into two different action threads: the present, in which Kvothe tells the story of his life to Devan Lochees (known as Chronicler) in the Waystone Inn, and Kvothe's past, which makes up the majority of the first two books. The present-day interludes are in the third person from the perspective of multiple characters, while the story of Kvothe's life is told entirely in the first person from his own perspective. The series also contains many metafictional stories-within-stories from varying perspectives, most of which are recounted by Kvothe, having been heard from other characters in his past.

