Age: 44
female
Fan Bingbing (Chinese: 范冰冰, born 16 September 1981 in Yantai) is a Chinese actress. From 2013 to 2017, she was included as the highest-paid celebrity in the Forbes China Celebrity 100 list after ranking in the top 10 every year since 2006. She appeared on Time magazine's list of the 100 most influential people in 2017. Fan's early work was in East Asian cinema and television, notably appearing in drama series My Fair Princess (1998–1999). Her breakthrough came with the film Cell Phone (2003) which was China's highest-grossing film of the year. She went on to star in several Chinese films, which include Lost in Beijing (2007), Buddha Mountain (2011) and Double Xposure (2012). For headlining the film I Am Not Madame Bovary (2016), Fan won the Silver Shell for Best Actress at the San Sebastián International Film Festival, as well as the Asian Film Award for Best Actress. Her foreign film roles include the French film Stretch (2011), the Korean film My Way (2011), the American superhero film X-Men: Days of Future Past (2014) and the Hong Kong-Chinese-American film Skiptrace (2015). In 2018, Fan disappeared for three months, reportedly during an investigation into her tax affairs by the Chinese authorities. She was reportedly fined a sum greater than her net worth. She subsequently appeared on social media, offering a public apology over tax evasion, for which she was fined more than CN¥883 million (US$127 million).
Paris is a young and ambitious fashion designer who has just launched his own brand. He is invited to participate in a prestigious fashion competition organized by Hera, the editor-in-chief of a well-known fashion magazine. The competition will bring together the most talented young fashion designers in the world, each of whom will showcase their latest designs to a panel of judges. As the day of the competition approaches, Hera enlists the help of three well-known fashion influencers to judge the competition. Aphrodite, a popular social media influencer known for her stunning beauty and fashion sense; Athena, a fiercely independent feminist who is not swayed by external appearances; and Demeter, a longtime fashion industry insider who values quality and craftsmanship. As the designers present their collections, Paris's creations catch the eye of all three judges. They each offer him different compliments and criticisms, leaving Paris feeling confused about which direction to take in his artistic career. Aphrodite encourages him to embrace his daring, risk-taking spirit, Athena believes in his message of gender neutrality, and Demeter urges him to focus on craftsmanship and traditional methods. Finally, Paris must make a choice. He knows that he must align his brand with one of these three influencers to take his career to the next level. He chooses Aphrodite, whose endorsement will give him the mass appeal he needs to succeed in the competitive world of fashion.
