Age: 53
male
Adrien Nicholas Brody (born April 14, 1973) is an American actor. He is known for his portrayal of Władysław Szpilman in Roman Polanski's war drama The Pianist (2002), for which he won the Academy Award for Best Actor at age 29, becoming the youngest actor to win in that category. He also became the second American male actor to win the César Award for Best Actor for the same film. For his role as a Holocaust survivor who immigrates to the United States in The Brutalist (2024), he won a Golden Globe Award for Best Actor and earned his second Academy Award Nomination and subsequent win for Best Actor. Brody has also starred in The Thin Red Line(1998), The Village (2004), King Kong (2005), Hollywoodland (2006), Cadillac Records (2008), Predators (2010), and See How They Run(2022). He has frequently collaborated with filmmaker Wes Anderson, appearing in his films The Darjeeling Limited (2007), Fantastic Mr. Fox(2009), The Grand Budapest Hotel (2014), The French Dispatch (2021), and Asteroid City(2023). He portrayed Salvador Dalí in Woody Allen's Midnight in Paris (2011) and Arthur Miller in Andrew Dominik's Blonde (2022). On television, he has played Luca Changretta in the fourth season of the BBC series Peaky Blinders (2017) and Pat Riley in the HBO sports drama series Winning Time: The Rise of the Lakers Dynasty (2022–2023). He earned Primetime Emmy Award nominations for his roles as Harry Houdini in the History Channel miniseries Houdini (2014), and investor Josh Aaronson in the HBO series Succession (2021).
In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.” In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute
