Age: 72
female
Catherine Louise "Katey" Sagal (born January 19, 1954) is an American actress, singer, and songwriter. She has had a successful and versatile career in both television and music, becoming a well-known and respected figure in the entertainment industry. Sagal first gained recognition for her role as Peggy Bundy, the sassy and materialistic wife of Al Bundy, in the long-running sitcom "Married... with Children" (1987-1997). Her portrayal of Peggy Bundy showcased her comedic talent and made her a beloved character in the world of television. Following the success of "Married... with Children," Sagal continued to thrive in the industry and took on a variety of roles in both comedic and dramatic projects. She has appeared in shows such as "Futurama," where she provided the voice of Leela, and "Sons of Anarchy," where she played the complex character Gemma Teller Morrow. Sagal's performances have earned her critical acclaim and various award nominations. In addition to her acting career, Sagal is also a talented singer and songwriter. She has released several albums, showcasing her skills in genres such as rock and country. Sagal's musical talents have been featured on various television shows, including "Sons of Anarchy," where she performed several songs. Throughout her career, Katey Sagal has proven her versatility and range as an actress, tackling both comedic and dramatic roles with equal aplomb. Her captivating performances and memorable characters have solidified her status as a respected and accomplished actress in the industry.
Katey Sagal
Maureen Alvorson
for Maureen Alvorson in The Institute
Suggested by abbikitzmiller
In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.” In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.
