
Age: 35
female
Margot Elise Robbie (born 2 July 1990) is an Australian actress and producer. Her work includes blockbusters and independent films, and her accolades include nominations for three Academy Awards, four Golden Globe Awards, and six BAFTA Awards. Time named her one of the 100 most influential people in the world in 2017, and Forbes named her the world's highest-paid actress in 2023. Born and raised in Queensland, Robbie began her career in 2008 on the television series Neighbours, on which she was a regular until 2011. After moving to the United States, she led the television series Pan Am (2011–2012). She had her breakthrough in 2013 with Martin Scorsese's black comedy film The Wolf of Wall Street. She achieved wider recognition by starring in the roles of Jane Porter in The Legend of Tarzan (2016) and Harley Quinn in the DC Extended Universe films, beginning with Suicide Squad (2016). Robbie received critical acclaim and a nomination for the Academy Award for Best Actress for her portrayal of figure skater Tonya Harding in the biopic I, Tonya (2017). This acclaim continued for her performances as Queen Elizabeth I in Mary Queen of Scots (2018), Sharon Tate in Once Upon a Time in Hollywood (2019), and a Fox News employee in Bombshell (2019). The last of these earned her a nomination for the Academy Award for Best Supporting Actress. Robbie has since starred as an aspiring actress in the period film Babylon (2022) and the titular fashion doll in the fantasy comedy Barbie (2023), which emerged as her highest-grossing release and, as its producer, earned her a nomination for the Academy Award for Best Picture. Robbie and her husband, filmmaker Tom Ackerley, co-founded the production company LuckyChap Entertainment in 2014, under which they have produced several films, including I, Tonya, Promising Young Woman (2020), Barbie, and Saltburn (2023), as well as the Hulu series Dollface (2019–2022) and the Netflix miniseries Maid (2021).

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.” In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute.






