Age: 65
male
Todd Haynes (/heɪnz/; born January 2, 1961; Los Angeles) is an American filmmaker. His films span four decades with themes examining the personalities of well-known musicians, dysfunctional and dystopian societies, and blurred gender roles. Haynes first gained public attention with his controversial short film Superstar: The Karen Carpenter Story (1987), which chronicles singer Karen Carpenter's life and death, using Barbie dolls as actors. Superstar became a cult classic. Haynes's feature directorial debut, Poison (1991), a provocative exploration of AIDS-era queer perceptions and subversions, established him as a figure of a new transgressive cinema. Poison won the Sundance Film Festival's Grand Jury Prize and is regarded as a seminal work of New Queer Cinema. Haynes received further acclaim for his second feature film, Safe (1995), a symbolic portrait of a housewife who develops multiple chemical sensitivity. Safe was later voted the best film of the 1990s by The Village Voice Film Poll. His next feature, Velvet Goldmine (1998), is a tribute to the 1970s glam rock era. The film received the Special Jury Prize for Best Artistic Contribution at the 1998 Cannes Film Festival. Haynes gained acclaim and a measure of mainstream success with Far from Heaven (2002) earning his first Academy Award nomination for Best Original Screenplay. He continued to direct critically lauded films such as I'm Not There (2007), Carol (2015), Wonderstruck (2017) and Dark Waters (2019). He directed his first feature-length documentary, The Velvet Underground (2021). Haynes directed and co-wrote the HBO mini-series Mildred Pierce (2011) for which he was nominated for three Primetime Emmy Awards.
The Ickabog is coming… A mythical monster, a kingdom in peril, an adventure that will test two children’s bravery to the limit. Discover a brilliantly original fairy tale about the power of hope and friendship to triumph against all odds, from one of the world’s best storytellers. The kingdom of Cornucopia was once the happiest in the world. It had plenty of gold, a king with the finest moustaches you could possibly imagine, and butchers, bakers and cheesemongers whose exquisite foods made a person dance with delight when they ate them. Everything was perfect – except for the misty Marshlands to the north which, according to legend, were home to the monstrous Ickabog. Anyone sensible knew that the Ickabog was just a myth, to scare children into behaving. But the funny thing about myths is that sometimes they take on a life of their own. Could a myth unseat a beloved king? Could a myth bring a once happy country to its knees? Could a myth thrust two children into an adventure they didn’t ask for and never expected?
