
Died at 133
male
Leslie Howard Steiner (3 April 1893 – 1 June 1963) was an English actor, director and producer. He wrote many stories and articles for The New York Times, The New Yorker, and Vanity Fair and was one of the biggest box-office draws and movie idols of the 1930s. Active in both Britain and Hollywood, Howard played Ashley Wilkes in Gone with the Wind (1939). He had roles in many other films, often playing the quintessential Englishman, including Berkeley Square (1933), Of Human Bondage (1934), The Scarlet Pimpernel (1934), The Petrified Forest (1936), Pygmalion (1938), Intermezzo (1939), "Pimpernel" Smith (1941), and The First of the Few (1942). He was nominated for the Academy Award for Best Actor for Berkeley Square and Pygmalion. Howard's World War II activities included acting and filmmaking. He helped to make anti-German propaganda and shore up support for the Allies—two years after his death the British Film Yearbook described Howard's work as "one of the most valuable facets of British propaganda". He was rumoured to have been involved with British or Allied Intelligence, sparking conspiracy theories regarding his death in 1943 when the Luftwaffe shot down BOAC Flight 777 over the Atlantic (off the coast of Cedeira, A Coruña), on which he was a passenger. Description above from the Wikipedia article Leslie Howard, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Leslie Howard

Jerome Hamilton
for Jerome Hamilton in The Human Torch, Episode 1
Suggested by richardcastle

Imagine if instead of comics, Marvel was purely shows since the beginning! In this fiery episode, Professor Horton unveils his creation, the first android, known as The Human Torch, to the press. However, the android's uncontrollable flames cause alarm, leading to calls for its destruction. Horton refuses and reaches a compromise to contain the Torch. But when an oxygen leak frees the android, chaos ensues as he navigates the city, inadvertently causing destruction. Meanwhile, a cunning racketeer, Sardo, sees an opportunity to exploit the Torch's powers for personal gain. As the Torch fights for control over his flames and confronts the criminal underworld, he must also grapple with the realization that humanity may only exploit him. In the end, he escapes captivity to seek his freedom.
